not a single skip, the midget could never

8 years for this shi ?

felt like a throwaway album, like if he dropped this just to fulfill that label contract's requirements or some shi like that

i wish travis made more songs like this in that era and turned this into an album, 2 songs both of em 10s

Might be song of the decade ngl, creds to my goat drake

We got PEAK tyler right here. This album feels like a full story about love, heartbreak, and finding yourself, all told through some of the best production of the last decade. Tyler produced every track, and the beats are insane, the synths, the fuzzy bass, the soulful samples, and the smooth transitions that make the whole album flow like one long song. From the moment IGOR’S THEME starts, you’re pulled into this weird, colorful world that only Tyler can create.

The songs are all ... read more

I love this R&B side of Future. The way he and Metro experimented with synthpop and smooth R&B production on the first disc feels like a new lane for them, and it works. Future’s melodies hit, The Weeknd’s features are perfect for this sound, and tracks like All To Myself and This Sunday feel like Future really embracing his melodic bag. Then disc 2 flips the energy and brings classic Future x Metro bangers like Show Of Hands with A$AP Rocky that go crazy. The album is long ... read more

I had big expectations for this album, and Future and Metro mostly delivered. The production is insane, Metro’s work here is flawless for the most part. Dark, cinematic beats, clean transitions, and crazy 808s make the album feel huge. Tracks like Young Metro sound like pure movie music, and Like That has one of the hardest beat switches of the year. Ice Attack is another standout with that smooth bounce that Travis slid on perfectly.

Future sounds focused throughout, staying in his ... read more

This project is short, but it says more than most albums double or triple its length. Kanye brings the chaos, Cudi brings the calm, and together they turn pain into something real. Every track feels intentional, no skips, no filler. It’s raw, emotional, and rough in the best way, but still clean where it matters. You can feel the struggle, the healing, and the honesty in every beat. It’s not perfect in a polished sense—but that’s what makes it hit so hard. It feels ... read more

Beautiful album, never knew chinese rap was this good, surprised how the madarin sounds over beats, this is actually heat

I came into this album expecting something huge. After the first five tracks, it felt like Cactus Jack had the formula, but across 17 songs, the consistency just isn’t there. The potential was massive, and while there are some great moments, the album feels scattered.

The production overall is solid with crisp mixing, heavy bass, and some beautiful atmospheric touches. Champain & Vacay is a cinematic opener with an incredible beat switch that could’ve been legendary if 21 ... read more

I had higher hopes for this album, especially after i heard the lead singles, it kinda flopped, but still, the album is worth listening to

My Top 3 : Dem Dey / TaTaTa / Bundle by Bundle

我喜欢这张专辑，整张专辑的音乐制作都很疯狂，节奏优美而充满活力，我也喜欢他的流畅，这个项目是必须听的

this is a beautiful album, form every aspect, this is in that Frank Ocean / Daniel Caesar level, and y'all not ready to have this conversation.

I think i know why he didn't promote this album, this is a fall off, you know an album is ass when u have Sexyy Red and Gunna on it, ( i actually can't believe that Sexyy red did a better job than Gunna himself ), let along that corny ass mf Druski, i enjoyed the first half of the album, then things went south on the second part of it, the production is bad and not up to standard in the whole album, this album is done in a short span of time, you can hear it

This project is more a Cardo Got Wings album than a Larry June album, no offense but still Larry June did what he does best still, the consistency on this album is crazy if you like the intro you'll like the whole album, i think this is one of the most AUX friendly projects ever, i highly suggest listening to this project on a city night cruise.

The first thing i noticed in the first listen was the production, Pharell snapped like always, i enjoyed his work even more in the second listen, he carried in my opinion, but if we're talking about the features, i think that some of the features are misplaced, why put Kendrick on that 2nd track and not on Chandeliers with Nas or in So Far Ahead, or even in MTBTTF, same as Tyler he would've slid on EBITDA, the real potential of the features was not reached in my opinion, But Clipse ... read more