The self-titled album by Dipygus, though highly anticipated, falls short of expectations. The album comes across as forced and uninspired, lacking the energy and creativity that their fans insisted we had to expect. It feels like a mere imitation of better death metal bands, failing to leave a lasting impression. - Darren Kusakabe

"Acelero" by Crizin Da Z.O. boasts a vibrant mix of Brazilian pop and electronic genres, capturing the collective's energy. However, some tracks lack the captivating quality to hold listeners' attention throughout the album's entirety. Despite this, it offers a pleasant listening experience that showcases the group's genre-blending prowess. - Gabby Maplebeck

Despite the promise of a more polished sound with producer Margo Broom, Chemtrails' "The Joy of Sects" fails to deliver. While fans may appreciate the raw energy, the album's irreverent puns and one-dimensional attitude grow tiresome. Tracks like "Business Class War Paint" and "Join Our Death Cult" showcase a lack of depth, relying instead on superficial pop-punk clichés. The album's attempt at seriousness in "Endless Stream of the Bizarre" falls ... read more

Cheekface's fourth album, "It's Sorted" is a masterclass in uncompromising authenticity. With their infectious melodies, witty lyrics, and unwavering commitment to their unique brand of indie rock, the trio has crafted an album that re-establishes their status as one of the most distinctive and compelling bands of their generation.

Cheekface's signature sound is on full display throughout "It's Sorted" Energetic rhythms, catchy hooks, and clever lyrics create an ... read more

Despite a predictable country-influenced sound, Brown Horse's "Reservoir" fails to deliver surprises. The vocals, prominent yet underwhelming, evoke Ed Kowalczyk rather than country stars. While repeated listens may reveal strong songwriting, it cannot compensate for the challenging vocals. This album remains a middling attempt, neither an outstanding nag nor a complete failure. - Darren Kusakabe

Bill Ryder-Jones's "Iechyd Da" presents a melancholic and moving exploration of love's complexities. Despite its dreary atmosphere, Ryder-Jones's intimate songwriting and deft arrangements create an immersive experience. The album showcases Ryder-Jones's artistic versatility, blending elements of indie rock, chamber ballads, and cinematic influences. While its tempo fluctuations and intricate production can occasionally overwhelm, Ryder-Jones's heartfelt performances and exploration ... read more

Astrid Sonne's 'Great Doubt' lives up to its title, delivering a lackluster musical experience that makes you doubt if music can ever be considered truly "Great". Despite its somber themes, the album's execution lacks depth and emotional resonance. The lyrics, while attempting vulnerability, fall flat, lacking the necessary authenticity and impact. The instrumentation, though eclectic, fails to coalesce into a compelling narrative. In an era brimming with exceptional music, 'Great ... read more

@'s latest release, "Are You There God? It's Me" boldly defies expectations. While their debut showcased an intriguing blend of hyperfolk, this EP embraces digital maximalism, leaving acoustic guitars behind. Its eclecticism defies genre, seamlessly blending sounds from synth arpeggios to djent-y guitar.

Despite its unexpected departure, @'s allure remains. Captivating vocals, innovative compositions, and a dash of humor enchant listeners. As with their previous work, this EP ... read more

The Smile has boldly emerged with their second album, "Wall of Eyes" proving that they are no mere "side project". This post-punk, electronica, and jazz masterpiece transcends the boundaries of genre, solidifying the trio's position as one of 2024's most iconic acts.

Shrouded in the existential unease that has defined Thom Yorke's work, "Wall of Eyes" pulsates with a haunting beauty. Sam Petts-Davies's sonic wizardry imbues the album with an eerie atmosphere, ... read more

Courting's audacious debut, "Guitar Music", was a cacophonous amalgamation of art rock and hyperpop, provoking both awe and disorientation. Now, with "New Last Name" the band has undergone a metamorphosis, shedding their chaotic skin to emerge as a formidable pop force.

Gone are the frenzied sonic assaults, replaced by a more polished, genre-bending approach. Courting gleefully hopscotch through hyper pop, country-tinged indie rock, Brit pop, and punk, crafting an ... read more

All The Bees, a collaborative effort between seasoned artists Kirsty McGee and Gitka Partington, modern sensibilities are matched with the traditional.

Their eponymous album, "All The Bees", fearlessly ventures beyond mere replication, opting instead to reimagine the genre through a tapestry of original compositions. Rather than clinging to the confines of convention, McGee and Partington deftly navigate the vast terrain of folk music history, seamlessly weaving elements from various ... read more

Brenden Ramirez's debut album, "Who's a Good Boy", showcases his style of power pop with quiet confidence and heartfelt lyrics. Produced by Mo Troper, the album boasts jangling guitar work, dreamy melodies, and introspective storytelling. While drawing inspiration from Elliott Smith and the Shins, Bory's distinctive voice shines through, making this an album that is likely to be enjoyed by fans of introspective indie pop. - Lea A. Christiansen

"Gabby Sword", the latest album from Gabby's World, is a mixed bag. While it has some strong moments, it is ultimately underwhelming. The album's biggest flaw is its lack of focus. Smith tries to cover too much ground, and as a result, the album feels disjointed and unfocused. The synth-pop production is often at odds with Smith's rhythmically entropic lyrics and delivery. While some tracks, like "Closing Door" and "Corrina" are catchy and memorable, others, like ... read more

Album of The Month :

Dorothy Carter's "Waillee Waillee" initially published in 1978, is a profound and moving journey through time, bridging the gap between ancient melodies and contemporary musical expression. This remarkable album, recently reissued after decades of obscurity, captures the essence of Carter's passion for cross-cultural exploration and her commitment to preserving traditional music while pushing the boundaries of sound.

Carter's musical journey began with her ... read more

In their debut album, "Albion" Harp attempts to capture the essence of Sussex fields, exploring themes of creative loss, loneliness, and new love. Inspired by William Blake, Herstmonceux Castle, and the Cure's "Faith" the album paints a desolate landscape with 80s-influenced reverb, ghostly vocals, and sharp, tinny drums.

However, despite its intriguing concept and textured soundscape, "Albion" falls short in delivering a compelling musical experience. The ... read more

The Hazlett album "Goodbye to the Valley Low" falls short of expectations, offering a lackluster acoustic pop experience. The artist's attempt to convey heartbreak feels disingenuous, resembling a party trick rather than a genuine expression of emotion. The lyrics lack authenticity, making it difficult to see anything other than an obvious attempt to make profitable pop music rather than anything artistic. - Gary Morrow

HEALTH's "RAT WARS" disappoints with its uninspired lyrics and formulaic approach. While the album delivers the band's signature heavy industrial sound, it lacks the innovation and originality that characterized their earlier work.

Fans may find solace in familiar tracks like "ASHAMED" and "UNLOVED" but overall, "RAT WARS" feels like a phoned-in effort that fails to push the band's boundaries. - Darren Kusakabe

The Humour album "A Small Crowd Gathered To Watch Me" falls short of delivering a unique and captivating listening experience. While the band's attempt at post-punk is evident, it lacks the originality to stand out in a saturated genre.

Despite the band's potential, the album's sound remains uninspired and fails to offer anything particularly memorable. If you're seeking exceptional post-punk music, I recommend exploring other acts from earlier in the year that bring a genuine and ... read more

In Peter Gabriel's much-anticipated album "i/o", a puzzling concept unfolds—different mixes for each song, offering listeners a choose-your-own-adventure style playlist. While this gimmick may seem innovative, it ultimately dilutes Gabriel's music.

Familiar piano ballads and funk-influenced pop songs dominate the album, with some tracks resembling his past hits a bit too closely. The political and social commentary that once defined Gabriel's music takes a backseat to earnest ... read more

Sarah Goldstone's debut album, "Waving" is a disappointment. Despite her decades in the music industry and extensive touring experience, the album fails to live up to expectations. The album's biggest flaw is its lack of originality. Goldstone's music is heavily influenced by her contemporaries, such as Phoebe Bridgers, Lucy Dacus, and Julien Baker. As a result, it often sounds like a rehashed version of their work.

Another problem with "Waving" is its lack of focus. The ... read more