Milo J’s debut album, 111, stands as a surprisingly refined offering, particularly when considering the artist's remarkably young age at the time of its release. While a retrospective look might reveal a somewhat repetitive thematic cycle—oscillating strictly between love and heartbreak—the project remains an incredibly solid first effort.
One of the album's greatest strengths lies in its vocal curation, introducing listeners to phenomenal talents like Yami. ... read more
Creo que es un poco fantasma la letra, mas viendo en lo que después se convirtió Milo, pero normal tuvo su momento Trueno en esta canción, full fantasma, pero está decente igual
Even though the Milo who made trap music isn't my favorite version of Milo, it's a banger tbh
After all, it was his first song, but he sounds more like a Mexican artist than an Argentine one—it’s literally a ranchera...
I think the overall rating for this album is fair. It doesn't really stand out in any particular way; it has a lot of ballads about love and heartbreak, some good collaborations and some terrible ones. The only thing is, I feel like it's waaaaaaaaaaaay too long for what the album is trying to achieve. If you take out at least 5 or 6 songs, it's perfect for background listening, but not much else.
Juanes has always been a huge influence on me, but I hadn’t listened to any of his new material in years. I decided to give it a try and found an album that feels like it’s meant to deliver, with a standout track like “Canción Desaparecida”. That said, it has a great opener and a strong closer, but I feel like the songs in the middle of the album are, to put it one way, pretty generic. Still, for me, it delivers overall—it’s fine to have playing in the ... read more
Revolución Bananera is the result of what I consider one of the most promising duos in Spain around 2018–19, with songs that display incredible social awareness, offering satirical or critical perspectives on the society of that time. Looking back from 2026, it sounds almost utopian to imagine ourselves like that again, given how society has regressed thanks to social media. Arnau and Eric have done a great job with this album, featuring major anthems like “Es Gratis” ... read more
For me, SAI it was just an excuse within the lore so that Tyler could experiment musically with a pop sound and have more people performing live besides just him and Josh. In any case, neither of those things worked out, but it wasn’t a bad attempt—it was just the execution and the result of that attempt that were terrible. Anyway, I still think that having a daughter is why he wanted to make a more family-friendly album—so his kids could grow up listening to a record that ... read more
I had a similar experience with Trench as I did with Self Titled. It’s a really good album overall, but there are two or three songs that drag the overall average way down—though it’s undoubtedly a great album (for me, it’s in the top 4 of their discography).
Someone recently pointed out to me how much the intro to "Heavydirtysoul" sounds like a song by Gustavo Cerati featuring Daniel Melero ("Marea De Venus"). Ever since I noticed it, I can't stop hearing it, and it cracks me up
But beyond that, it’s undeniable that the album that brought Tyler and Josh into the mainstream—no matter how much it may upset many “unique and different” edgy kids here—is a 10/10 album from start to finish, and the ... read more