This song is genuinely so good until that bitch ass Farruko had to come in like the bitter taste
I actually really liked it!! Most of the songs sounded like Wall of Sound, although I thought they’d sound like House. I really liked the suspenseful instrumentation on Out of Myself and Seeing Things, the DRAMATIC chorus on Eyes of the World (I finally heard sky ferreira’s voice again) the absolutely JARRING House ft. John Cale and the iconic Chains of Love along with Dying for You. Always Everywhere didn’t seem to really build up to anything and it just stayed with the same ... read more
The song is pretty good. I just wish there was some sort of beat drop or more special effects to make it more exciting.
Flawless. Just a question: Why was this rereleased as a 2025 single when it was originally a 2020 album track?
the deluxe tracks are decent. my fav is probably How Can I Not Know What I Need Right Now
ROSALÍA, you’re going to be on my wrapped this year.
Going onto this album, I didn’t expect anything special. Everyone was hyping it up and calling it great, however I didn’t think a “Spanish” (or so I thought) album would be loved by literally every singular person worldwide. So I started off by listening to the lead single, Berghain.
What the fuck.
After that listen, I felt like I had just listened to the epitome of art. First off, ... read more
Well, alright.
For the past decade, charli has been labeled as one of the best hyperpop phenomenons. Producing with Sophie, A.G Cook and even collaborating with Hannah Diamond on her Vroom Vroom EP which (shoutout) it turns 10 years old this year!
Since Charli has dropped her mixtape Number 1 Angel in 2017, she has completely shifted her genre. She went from electropop which didn’t commercially do great, followed by her 2014 project SUCKER which..yeah, weak attempt at punk pop. However, ... read more
Now I agree this is a bit too low but some parts of the song are slightly boring to me. However the part with the beat switched is a 10/10
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