THIS is how you revolutionise house music. Justice really dropped a sonic bomb that innovated the entire electronic music scene. With Cross, the French duo took the boldest parts of rock, industrial, and electro-house and mashed them into something totally fresh. It’s rough, raw, gritty, distorted, loud, and yet it all works so effortlessly well. The moment you press play on Genesis, you’re launched into this huge, cinematic electronic sound world that just keeps getting better with every track. No wonder is one of my favourite records of all time.
What makes Cross stand out for me is just how fearless it is. Justice doesn’t play it safe for a single second. It’s big, it’s bold, it's experimental and they knew exactly what they were doing with. You can hear some Daft Punk influence, sure, but this album pushes things even further into rock territory. Justice made house music feel rebellious and chaotic, almost punk, in a way.
Tracks like D.A.N.C.E. added a pop edge with those Michael Jackson nods and catchy vocals, while songs like Phantom and Phantom Pt. II just go insanely hard. They build and build, layering distorted synths, thunderous drums, chopped samples, until it feels like your brain’s about to melt. But in the positive way. Stress might be one of the most chaotic, anxiety-inducing songs ever dropped in electronic music, and yet it’s unforgettable, it’s one hell of an experience. And then there’s DVNO, Waters of Nazareth, and the beautiful closer One Minute to Midnight, all of which just round out the album in spectacular fashion.
And you know what’s one of the wildest things about the album? The live shows of it. If you thought this album sounded huge through headphones or speakers, hearing it live is a whole other experience. They rework the entire album in real time with even more intensity, and everything hits way harder. It’s no surprise that A Cross the Universe became one of the most legendary live recordings in the electronic world.
Cross aged very well and it really set the tone for a new wave of electronic music. It opened the door for other artists to be bolder, more genre-blending, more experimental. You don’t hear many albums like this anymore, which makes it even more iconic. It's definitely one of the most defining records of the 2000s. Justice made a whole cultural statement. A revolution, really.
| 1 | Genesis / 100 |
| 2 | Let There Be Light / 100 |
| 3 | D.A.N.C.E. / 100 |
| 4 | Newjack / 85 |
| 5 | Phantom / 100 |
| 6 | Phantom, Pt. II / 100 |
| 7 | Valentine / 85 |
| 8 | TTHHEE PPAARRTTYY / 80 |
| 9 | DVNO / 90 |
| 10 | Stress / 100 |
| 11 | Waters of Nazareth / 100 |
| 12 | One Minute to Midnight / 90 |