MAYHEM could not have gotten any better with the new bonus tracks because they really add a lot more to an already great tracklist.

this is more cohesive than TTPD. with that album it was completely bloated with too much information along 22 tracks and nearly over 2 hours. albeit that it his her biggest album yet, it fails to impress when diehard swifties. i like the direction of the sounds of this album and i wish it had some variety to it.

but with The Life of Showgirl, it’s always the generic pop formula you hear throughout the album, so i’m struggling to call it groundbreaking. no matter what people are ... read more

i just know people are just going to hate it SOLELY because of the tracklist. (score & review soon)

people made her to be the next biggest pop star, she still has a long way to prove it (not rated yet)

we are so fucking back

i didn’t know how they could top my mind is a mountain… they did it again

love love love this album to death. at first i never really so much about this album and solange herself as an artist. so, it really sucks for me to never have recognized her earlier.

each track flows so easily through each other, it’s so well produced and i jumped off my seat when i realized artists like pharrell, tyler, sampha, and steeeeve lacy helped with this album. i love it so much, i love solange

GODDDDDD, i can really hear the remi wolf influence with this one. i don’t understand why people can’t just have fun, i don’t see anything wrong with the sort of sound she’s aiming for on hrr upcoming album, i very much like her songwriting and her ability to make a catchy hook.

ill be waiting for the rest of the album in september <3

the better of the singles from this album. i really do like that you can hear a lot of influence from remi wolf, who i also love very much. people can hate all they want but i love lola’s direction with this song.

its… alright. i didn’t mind justin’s music over the years since i’ve mostly just listened to his biggest songs when they played on the radio. the first 4 tracks were petty good imo, but it then falls out of focus after that. a couple ok songs, the features confused a bit. what confused me the most though was druski’s involvement on his interludes… just feels out of place.

another great addition to tyler’s discography. this was plainly just about having fun and dancing along. i definitely understood it after my second listen and it keeps getting better. he wastes no time getting straight into it, and it’s an overall fun experience front to back.

tell me you’re definitely not still hung up on the beef without telling you that you are.

to be frank, with my unbiased opinion, i think it’s a solid track? apart from the Pop Out bar and some albeit questionable bars, it’s ok for Drake’s standards.

i’ve grown to love metal now that i’m a grown adult. deftones is by far my favorite band and i’ve been DYING for new music and they absolutely did not disappoint with this.

welcome back, deftones

top contender for rap album of the year or even album lf the year.

i hate to admit that i’ve never heard of clipse before, only just hearing about pusha and not much about no malice. after hearing this album in full at the listening party, holy shit was my mind blown away.

the production, the lyricism, the features, and the choruses?? im going to find myself listening to clipse a whole lot more in the future. amazing album

this is conflicting since i WISHED this album won album of the year at the grammys, this is by far billie’s best album PERIOD. It’s short yet so compacted with just 10 tracks and it never falls short to deliver an experience and after a year, it still holds up than most albums last year.

it really is pinkpantheress summer. she never fails when it comes to bringing back this sort of maximalist renewal of 2000’s breakbeat and just the overall aesthetic of Y2K. (take notes ice spice!!!)

i’m a massive radiohead fan, and i wanted to give each band members’ solo work a listen, starting with thom.

i, myself, am not familiar with electronic music and i’ve since grown an interest in the genre. from artists like aphex twin, sophie, charli, thom really nails the sound down to a t.

paired with the short flim, this album is sonically beautiful.

one of the best latin pop albums to ever come out, i want to see rosalía be handed her flowers because GOD is this such a fun album to listen to.

being hispanic/latino myself, i wanted to really listen to more latin/spanish albums to really connect with my culture, MOTOMAMI is really worth the listen even without understanding the language because the production is top notch.

an album worthy of cultural significance. beyoncé and her artistic vision keeps on giving with the second album in this trilogy on “COWBOY CARTER: ACT II.”

i don’t listen to that much country music, so it was surprising to see beyoncé announce that this album was going to be a “country” album. it could be classified as one but it so much more than just country.

beyoncé highlights her stance in the industry and the struggles she faced as a ... read more

tortured billionaire makes 31 breakup songs clocking at over 2 hours. at least the second half was a litlle bit of saving grace, doesn’t excuse the fact that it feels even more bloated.