Peak Pop music for Taylor Swift.

Conceptual, transformative, transitional, creative, and heavy are all traits you can find on each gem of this thrash metal piece of art.

‘COWBOY CARTER’ is a long, mixed bag of contemporary country music. I’d say the best thing about this project is how bold the era is.

Blake Shelton writes your average country songs, over bland composition and below mediocre vocals.

A bold, evolutionary piece of Pop that set new standards for the industry.

And we’re back to bland pop music.

Mirador brings the same issues as Greta Van Fleet, with bad mixing and production.

Avenged Sevenfold tries to take a different step, but most of it turned out messy.

Divided into the mainstream curriculum.

Geese continues their streak of Indie rock packages including calm craziness.

Bad Bunny’s trap heavy album is lengthy, but some bangers are made.

The performance is there, but not much else.

A hypocritcal album, to say the least.

Soulless AI.

This sax, bass, and synth heavy album makes a fun, playful comeback for Doja.

Chevelle produces their own ‘Bright As Blasphemy’ with bright and deep aspects, making a good contribution to alternative Metal.

Not something to come back to, because the vocal quality is bad and has messy mixing in general.

Tracy Chapman is an underrated gem. This album is filled with heartfelt guitar songs that were written by Tracy herself.

Geese makes another indie-rock record with plenty of art-filled moments and soaring music.

Cardi B returns after many years, and took a step behind her last project.