A huge step for pop, and an even bigger step for Lady Gaga’s legacy. The boundaries of music are expanding.

The decline. Truly the biggest step forward from the other projects. It’s like every thought is hanging from a thread.

The high points of the record are great, but there is nothing else to keep up with it.

Emptier, lighter, and more broken than the first two.

The more mournful and peaceful version of its predecessor.

Haunting, deteriorating, and captivating. This is just the beginning.

All of the cinematic styles you expect in a Pink Floyd album, with less details to digest.

It’s really close to being good, it just needs something more to make the sound unique to Olivia Dean.

The worst start and finish in the Led Zeppelin discography, with many tracks left unfinished.

Are we serious? Where’s the collection?

A shorter but more direct record that is made to showcase Van Halen's talents and grit.

A line up that is undeniably iconic and definitely packs a punch for the group.

Oliver Tree's signature sound could benefit from better production, so we can get more than the bland claps and snaps.

It hits hard for most of the time, while some moments are used simply to prove JPEGMAFIA’s worth.

A collection of ethereal walls of sound that tend to blend in with each other. The record can only benefit from more diverse sounds.

Dark, loud, and gritty. These are all essential elements to the noise rock being made in this record.

ROSALÍA does a great job with creating a grand sound that matches the energy of her vocals and lyricism.

With little diversity and reused formula, there are many improvements to be made for Mammoth.

With some better than others, the beats aren’t always good enough.

Catchy in all the right moments, with only some filler spots. Really a step up for twenty one pilots.