The overproduction really brings out the bland writing, leaving some tracks cheesy or quirky.

Jill Scott returns with more colorful artistic choices and a full exploration of sound.

Even since his debut, Elvis Presley is a hit maker, not an album maker.

‘London Calling’ goes to so many different genres while also blending and executing them perfectly.

With many bangers, the record falls short to a mediocre ending and a few filler tracks.

An industrial-club record that puts other electronic albums to shame. It could’ve always been this good.

‘Country Pop’ but without the country and only generic pop with an accent.

While objectively good, it’s riddled with bland production and lyrics.

Muddy, aggressive, abrasive, and fast to top it all off.

On the surface, the songs have what every rock track needs. But going deeper, it is not as catchy as they seem to be.

Something so good, yet so simplistic. This record has its own way of melting your brain: calmly.

This dark but groovy record was another step in the metal revolution, setting a standard for years to come.

Very grand for its time, but very repetitive with the use of the same rhythms. I appreciate the high vocal range though.

There are many moments where it’s either over-produced or under-produced, with bad mixing or too many effects that add nothing to the tracks.

Going into his solo career, Ozzy Osbourne sticks to what he can do best. This album is a revelation for heavy metal.

Bland and repetitive tracks that seem to be going for mainstream rock.

A wide range of jazz, from chaotic to smooth, carefree tunes. Five times the Mingus!

Evanescence leans more on the heavier side after their big commercial hit, ‘Fallen.’

A short and sweet harmony EP, with many great traits that make it sound raw and unique.

A record so raw and infectious with harmonies and rhythms, it’s almost tribal.