Evanescence takes a more industrial edge to their already heavy sound, and the end result is well done.
Vince Staples is angry at America, for all the right reasons. But damn does it make him cook up heavy bangers.
Everywhere at the End of Time Part 6, and the whole package. This album is a real story that impacts us all with one simple concept: dementia. The Caretaker does a flawless job of putting the mind on a timeline while using ballroom music to compare and contrast each living moment. You really have to hear it all to know exactly what you're suppose to feel in the end.
The fifth stage really sets the tone for the end with its disconnected blips of sound and distorted atmosphere.
A huge step for pop, and an even bigger step for Lady Gaga’s legacy. The boundaries of music are expanding.
The decline. Truly the biggest step forward from the other projects. It’s like every thought is hanging from a thread.
The high points of the record are great, but there is nothing else to keep up with it.
Emptier, lighter, and more broken than the first two.
The more mournful and peaceful version of its predecessor.
Haunting, deteriorating, and captivating. This is just the beginning.
All of the cinematic styles you expect in a Pink Floyd album, with less details to digest.
It’s really close to being good, it just needs something more to make the sound unique to Olivia Dean.
The worst start and finish in the Led Zeppelin discography, with many tracks left unfinished.
Oliver Tree's signature sound could benefit from better production, so we can get more than the bland claps and snaps.
It hits hard for most of the time, while some moments are used simply to prove JPEGMAFIA’s worth.
A collection of ethereal walls of sound that tend to blend in with each other. The record can only benefit from more diverse sounds.
Dark, loud, and gritty. These are all essential elements to the noise rock being made in this record.