Car Seat Headrest’s ability to explore so many different sounds while maintaining their style is outstanding. Their writing and production is amazing as always.

Juice WRLD knows his sound well, but many times in this record it gets repetitive, often using the same structures in his tracks.

Brent Faiyaz uses too much filler to the point the highlights are not as strong.

'Meddle' is an album so ahead of it's time, it's amazing how well produced and experimental it is.

While some songs are worth the wait, others lead to nothing.

This Quadeca record is a step into another world, a world where sounds don’t have boundaries.

Jack Harlow finds a different part of himself, taking in Soul and R&B influences to make a short and sweet record.

Mary J. Blige makes a decent collection of R&B songs, mostly in the same style.

Erykah Badu creates a lane for herself in the R&B spectrum, making Neo-Soul the next big hit.

I’m so sorry.

Jill Scott enthusiastically introduces herself with beautiful vocals and rhythm.

IDK contributes more of his unique ideas and bars to hip hop.

'Unreal Unearth' is so close to being good, the record needs to be more compact to bring out all of the good aspects of each track.

Harry Styles doesn’t always execute a good quality “disco vibe” on ‘Kiss All The Time…’

Poppy kills it with meshing genres, these tracks are so unique I’ve never heard anything like them before.

Noah Kahan has great writing, but the instrumentation makes it hard to distinguish each song between another.

'A promise' is a vulnerable and empathetic record that Xiu Xiu experiments with deeply.

Gut-crushing emotions put into every song and every sound.

'Is This It' has great guitar work and a vocal style that meshes perfectly with it.

Mitski delivers a rich style of indie rock with different moods and vocal ranges.