Mehgadeth.

Repetitive, not the good kind of repetitive either, all the boring and bland parts are repeated. Lots of improvement to be made.

'choke enough' has a cool atmosphere to it, but there is not a lot of content to fully develop a song.

Madison Beer struggles to find her own unqiue sound in the pop industry.

Denzel Curry’s mix of dark lofi, jazz, and conscious Hip Hop is curated greatly on this record.

Most tracks in ‘Don’t Be Dumb’ have much better performances than the singles, but some are messy.

The Killers make a huge statement with their hit tracks like 'Mr. Brightside.' The deeper cuts on the album are good too, with only some misses.

Gojira shows no signs of slowing down, their interpretation of metal is beyond outstanding.

‘Sempiternal’ has some good material, but the writing and composition needs work.

Rage music is taken to an electronic new level on 'Revengeseekerz.'

It’s not that deep, but that’s the problem.

While most songs deserve more attention, The Kid LAROI plays it safe with his track lengths.

Pearl Jam returns to the beloved style of 'Vs.' on 'Yield.'

Finn Wolfhard goes for a DIY style and plays it safe.

'Gigaton' is a longer record with a ton of blandness, especially in the writing.

AC/DC fails to have much complexity in their writing and instrumental choices.

With high quality production and sound choices, TWICE makes a pop record that goes beyond standards.

A mixed bag of "okay" and "good" songs from Staind.

An atmosphere like no other, truly breathtaking.

While some tracks come off as bland and drawn out, others are progressive and "alright."