gransreviews

The first time I listened to Radical Optimism (Extended Versions) I knew immediately that I was hearing something special. It was not just another pop album release that I could casually enjoy and move on from, it was something that felt like it had its own universe built inside it. There is this confidence and sense of purpose that runs through every second of the music, almost like Dua knew exactly what she wanted this record to say and she executed it flawlessly. From the opening notes all ... read more

Serotonin II is an absolutely mesmerizing journey, the kind of album that pulls you in from the very first listen and refuses to let go. Even though I only knew a little about Yeule before hearing it, the record instantly made me want to explore her world completely. The music feels both intimate and expansive, like stepping into a dream that is intensely vivid yet entirely personal. Each song is a shimmering, delicate universe that lingers in your mind long after it ends, making the album feel ... read more

Ethel Cain has always had this obsessive, parasocial fanbase that treats every release as if it’s a gift from the heavens, and honestly, that hype is part of the problem. When Willoughby Tucker, I’ll Always Love You dropped, expectations were inflated beyond reason, and for good measure, Ethel herself comes off as increasingly insufferable the more you interact with the hype machine. She’s become a figure whose persona feels more performative than authentic, and that attitude ... read more

Ghostholding is one of those albums that instantly pulls you into its orbit and refuses to let go, a work that feels both devastatingly intimate and almost impossibly massive in scope. What makes it even more striking is that Venturing isn’t a new artist at all, it’s Jane Remover himself, exploring under a different name. That’s why the record doesn’t feel like a departure so much as a continuation of the world he built on Census Designated. In fact, it feels so ... read more