【日本語は↓に書いた】
Misuzu Hataya’s “VEIL” stands as a striking convergence point between game/idol pop and contemporary bass music.
With GUCCHO and Dubscribe on production duties, the track’s intent is clear from the outset. GUCCHO brings a proven pop sensibility shaped within idol music, while Dubscribe operates firmly within the lineage of Excision-style dubstep. Together, they signal an ambition that goes beyond simply sprinkling ... read more
【日本語は↓に書いた】
“A king’s return” is the phrase that fits best.
To be honest, the previous album, Beyond The Veil (2022), didn’t quite live up to expectations. With this record, however, Seven Lions successfully revives his core strengths and delivers a genuine comeback. It’s been a long time since one of his releases felt this cohesive and fully realized as a complete LP/EP—perhaps not since The Throes of Winter (2015).
At the heart ... read more
【日本語は↓に書いた】
Built around catchy melodies and a carefully crafted theatrical atmosphere, this album stands out for the solidity of its songwriting and its ability to consistently hit its intended marks. The hooks are designed with clear intent: even while maintaining a heavy sonic palette, the melodies are pushed forward in a way that makes the songs accessible to more casual listeners.
Tracks released ahead of the album, such as “PARADOX” and ... read more
【日本語のレビューも下にあります】
A perfect balance between something stimulating and something deeply comforting. Dijon blends soul, folk, R&B, and indie rock into a sound that feels entirely his own. There’s a raw intimacy to it — like a late-night jam session that someone just happened to record — and it works beautifully.
His voice is remarkable too. He switches effortlessly between delicate, emotionally charged singing and a rougher, lived-in tone ... read more
【日本語のレビューも下にあります】
The album offers a solid collection of approachable yet danceable tracks that pay clear respect to the late ‘90s and early ‘00s sounds of speed garage, hard house, trance, and techno. Overall, it feels confidently crafted.
“Take Me” stands out in particular — it blends the styles he loves with a strong sense of balance and even delivers a surprisingly dramatic progression.
That said, the interlude-style tracks ... read more