LEGEND.

Play sometimes. feel boring, occasionally.

One of top3 BE Songs.

Masterpiece. Worth Grammy.

Song of Life.

Full Of Fillers...

His most sincere song

This is the most "melodious" album of Aoba Ichiko. Listening to it makes one feel relaxed both physically and mentally.

Love 魔术先生、乔克叔叔、兰亭序

The beginning of Jay Chou's decline in creative skills, this album is filled with many commercial tracks. The production of "夜的第七章", the lyrics of "听妈妈的话", and the rhythm of "红模仿" still have some commendable aspects

Perfunctory. Only Mojito is worth listening to.

"以父之名" might be one of Jay Chou's most splendid productions in his career, enhancing the production depth of the entire album. The songwriting of "梯田" is not bad, but there are a few songs in the middle that have average popularity and artistic quality

This is the best album of Jay Chou that strikes a balance between commercial and artistic aspects in his career. "爱在西元前" is the best ballad love song of his career.

This is Jay Chou's most spiritual album in his career, especially the songs "Black Humor" and "Wife", which are very advanced in songwrting

To be honest, it's a rather ordinary work by Green Apple. The arrangement is a bit full, but the style still fits the tone of the anime.

This is an incredibly refreshing synth-pop album that still sounds timeless even a decade after its release. The production is impeccably polished, with every track being consistently ear-pleasing and smooth. While it might slightly lack a distinct individual identity or those sharp, memorable hooks, it remains a top-tier project. My personal favorite is definitely Track 1 (Run Away with Me).

This is my personal favorite and her most mature work to date. The songwriting is on a different level, solidifying her as the most sophisticated songwriter among Gen Z mainstream artists. "BIRDS OF A FEATHER" is a particular standout. The entire album strikes a perfect balance between artistic depth and commercial appeal, marking a peak in her creative evolution.

This debut album was a stunning start for Billie, establishing a solid and compelling overall tone. While not perfect—tracks like "bad guy" feel a bit over-engineered for "brainwashing" commercial appeal—the album is redeemed by high-quality gems like "when the party's over," "you should see me in a crown," and "bury a friend." Despite some minor imbalances between artistic depth and catchiness, it remains a brilliant first ... read more

Overall, this album feels quite mediocre and is likely the weakest in her discography. The middle section is weighed down by fillers, lacking both the clever agility of her debut and the grand emotional scale of her third record. However, the title track is an absolute masterpiece; its progression from a muted whisper to a full-blown explosion is so powerful that it easily contends for her top three songs of all time.

The most captivating element of this project is its sincerity. While many artists resort to complex metaphors or grand concepts to mask a lack of substance, these tracks offer a near-transparent directness. Among the tracks, "iPod Touch" and "Delete" stand out as the definitive highlights.