As if We Butter The Bread With Butter's 20 km/h wasn't good enough for a trancecore song about scooters, here we are.
That snare in the breakdown literally sounds like a bomb. I get why it's called a snare bomb now. Anyways, "YABADABADABADABADABADABADOO" or something. Fun song.
An entertaining metalcore track that just about sums up how the rest of Das Schwarze Album sounds.
I've been trying to find more music like We Butter The Bread With Butter, and I think I've done it. Das Schwarze Album is a really weird mix of electronic, metalcore, and trap that I'm all here for. It's a fun listen, keeping you on your toes throughout the entire 40 minutes, and is very unique as well, also with some crazy breakdowns and clever rhymes.
A bit better than the last Early Works EP, but still could use some polish, although for being as old as it is, this EP is pretty good and has a certain type of charm to it that I can't label. Yet another fun EP that is a lot more innocent than some of Coakira's later stuff.
---Individual ratings---
U4 Ride (2012) - 71/100 - A simple but fun track, and the synths here are pretty cool too.
Maze (2006) - 71/100 - Good sound design and has a cool melody.
Underground (2000) - 70/100 - ... read more
A fun and entertaining track reminiscent of some of their earlier work. Genuinely makes me happy to listen to this song.
As if The HU thought Mongolian metal wasn't badass enough, here they return with their sophomore album, Rumble of Thunder, which at times comprises of kickass heavy metal and at others chill Mongolian folk music with one of the dopest cover arts I've ever seen. Rumble of Thunder is a very solid and overall super fun album with some very chill, laid-back songs that have a nice vibe and some heavier things like Black Thunder to keep you on your toes when listening from front to back.
A super entertaining and memorable song from the early days of dubstep. A very solid song overall that definitely will be stuck in my head for a while, but that's a good thing.
The Fallen is a very cohesive dubstep EP that Rettchit really went full force on. Never once is there a noticeable lack of effort or anything like that where the EP feels stale, and each of the 3 tracks keeps you on your toes in anticipation of the next drop, as the drops here are really something special.
---Individual ratings---
Fracture - 89/100 - The guns are super good and the rave stabs add a lot to the drops. Overall a very polished and cohesive dubstep song.
Threadripper - 90/100 - ... read more
Rettchit's debut EP isn't anything revolutionary, but it shows a lot of hope moving forward. While Godzilla is by far the best track here, there are bits and pieces of all of the tracks that I enjoy, and not to mention the dope cover art.
---Individual ratings---
Harvester (ft. Messinian) - 68/100 - The verses are kinda empty and the song is pretty undercooked but the drops aren't bad.
Invasion - 69/100 - A simple song but pretty solid in all departments. Not much to complain ... read more
I mean, this song isn't really that crazy, but it's a fun listen with some interesting instrumentation. Looking forward to see what this person has planned next.
Thanks @ToastratesLPs
50 is a very enigmatic EP. Even with the lack of a clear direction, some sort of coherence can still be made out. The glitchy beats, random switchups, and at times overwhelming distortion make for a unique experience, albeit a very bumpy one as well. There is some hope moving forward that Toast can produce a more polished project that gets across a clearer theme rather than just being a jumble of a bunch of random things, but this EP is still pretty cool in some ... read more
Edit: 72->98
I predicted it. I said the day I reviewed it initially that it would grow on me, and here we are only one day later. This album is exceptionally fun and interesting, blending heavy metalcore with weird late 2000's electronic stuff plus a dab here and there of something emo? I don't know. You Can't Spell Slaughter Without Laughter is definitely a one-of-a-kind band that is worth any MySpace era crunkcore listener's time.