unimaginative, lazy, boring back replaced their bad vocalist and stayed bad. recycle the same tropes with boring choruses, bland mixing, and uninventive instrumentals. just another paycheck.
very solid if you enjoy the swancore/mathcore type, even if it doesn’t exactly try to differentiate itself from being a DGD clone.
a relatively enjoyable listen, but there’s become too many cooks in the kitchen when it comes to bilmuri. lot of writers that turned a fun, experimental, semi-serious project into a commercial machine. gabi gets way too underutilized now and the humor kind of gets shoe horned in now. hoping to veer from country-core on the next one but i fear it’s here to stay from now on.
theater kid core (complimentary). clearly talented with lots of good moments until you get hit with some hard cringe. but a good listen nonetheless.
“what if we beat the fuck out of you for the entire runtime” - the album
fairly one note but that one note is bludgeoning you to death with a ball peen hammer
better than what you would expect a band this old would sound at this point but not doing much of anything exceptional
pretty cookie cutter and forgettable. feels like a step down from MR1, which is funny after all the shit they talked.
scuffed wage war drops another uninspiring album that feels like dudes that don’t really have anything to talk about but just really like riffs and breakdowns.
couple good tracks, couple nothing burgers, but overall i feel like there is more good to take from this than bad.
the sleep token comparison is such a lazy “i saw it on twitter” take. this is, at its core, relatively standard poppy-metalcore/rock. i don’t hear many, if ANY, direct rip off of sleep token, dayseeker, or bad omens anywhere in this.
the singles do most of the heavy lifting, even with RAGE growing on me after really not liking it initially, but it kind of ... read more
doesn’t reinvent the wheel by any means however they do a great job instrumentally and with the mixing to make it enjoyable. lyrically it’s fine, might roll your eyes a few times but that’s a standard in this genre at this point.