I feel like this is one of the more average mitski records. There are some great moments but it seems just another helping of typical mitski

Emo is so back. Occasionally cringe lyrics, but the crisp production and sticky riffs/melodies more than make up for it

While this started out a little bumpy, I really loved every song from w-w-w-w-w through the end of the album. There’s something mysterious about hemlocke springs that always keeps me invested in their songs. Their voice and production are truly one of a kind

ambient fans when the chord changes after 10 minutes (jk this is really great)

I really like the lyrical content and some of the production is next level, I just don’t feel like their deconstructed/disjointed flows on every song keep me as interested as I want to be. I want to like this album more than I do.

They’re clearly very talented and have a unique identity which I can appreciate. I think By the Time I Get to Phoenix was a stronger release

Solid sad / melancholy indie folk singer songwriter project that I think will grow on me. I like the spacey moody vibe across the album, but did feel a little dragged on at some points

Cool little project! Loved the guitar parts especially and the vocals are pretty solid for the most part. Wish it was longer and a bit more fine tuned but the raw production also makes it unique.

Pretty underwhelmed by this one. There isn’t anything glaringly horrible, but it’s pretty stale and boring. After hearing the first 2-3 songs you’ve heard the whole album.

Solid A$AP Rocky return with some pretty decent songs but nothing earth-shattering. Felt a bit safe and conventional for an 8 year album gap

Addison truly has her finger on the pulse of the direction of American culture. Maybe not the most revolutionary pop album ever, but truly a strong debut statement with some great production choices and compelling, catchy songs

Quadeca continues to prove himself as one of the most successful genre-benders of the 2020s and has solidified himself as a revolutionary indie pop force and no longer a YouTube-rapper.

We are so back like Isaac never left. What a creative new direction for them to follow up their monumental start to their careers - excited to see what they do next!

Love that Bon Iver finally made a happy album

Great mix of shoegaze / dream pop / indie rock with juuuuuust a hint of Midwest Emo.

Heart wrenching listen front to back. I preferred this to Preachers Daughter, but I also think it made that album more interesting with the added context and in-depth storytelling - this just showcased her vocals and production talent in a better way.

Nonstop energy, crazy chaotic production, and some of the best sample usage of the 2020s. Jane is unstoppable

Rosalias boldest album yet and one of modern musics biggest statements. She refused to be defined by genre and took a bold risk by going into classical/orchestral (in 13 different languages, casually) and the production does the genre justice. Her vocals are ridiculously insane too, so much to love about this album

I had so much fun listening to this, Pink Pantheress continues to be one of the most interesting artists in the pop/dance sphere. Nonstop fun

Peak electronic dance music. London song to F*** My Computer might be the best 3 track run in the electronic genre.