knownasnad

This album is repetitive to a point where, at times, it genuinely feels like the same song is playing over and over again with slightly different lyrics attached to it. The biggest issue is the lack of artistic growth. It sounds less like a new chapter in the artist’s career and more like recycled leftovers from previous projects, with only a few tracks managing to stand apart.

The entire album carries this aggressively positive energy, which can be fun in small doses, but here it often ... read more

This album was honestly more annoying than enjoyable for me. It genuinely sounds like she is singing through a malfunctioning microphone inside an empty warehouse with the echo settings permanently stuck on maximum. I went into it with pretty high expectations too, which probably made the disappointment hit even harder.

I think this album also confirmed something for me personally: hyperpop is just not my genre. And Slayyyter absolutely solidified that opinion here. There is so much happening ... read more

It honestly feels like he recorded this album in a haze, just vibing and letting things flow without much urgency. And to be fair, that creates a certain atmosphere. It is undeniably chill, the kind of album you throw on when you do not want to think too much.

But that same laid back energy becomes the problem. He shifts his style here, and while I respect the attempt, it does not fully suit him. It feels like he is stepping into a lane that does not play to his strengths, and the result is ... read more

This album is classic Melanie Martinez. Enjoyable, immersive, and very much in her signature style. It delivers a consistent experience that fans will recognize and appreciate.

There are definitely standout tracks that grab your attention, though a few others fade into the background and are easily forgettable. The production is solid and cohesive, giving the album a clear identity from start to finish.

It’s the kind of project that shines best in a specific mood. Some songs ... read more