Luminosity

In their most progressive works, Voïvod haven’t so much as attempted to hide their love for free jazz and even classical music. From the fusion-filled 1988 that graced our ears with “Dimension Hatröss”, over the sophisticated, intellectual 1989 and its “Nothingface”, all the way to “The Wake”, their modern-day avant-garde spectacle, this band had endured several changes in lineup and in style, but time and again returned to those jazzy ... read more

In the months anticipating their sophomore full-length Voïvod were introduced to a new continent’s market when they were signed to Noise Records. Having done so, they saw fit to come out with a minor release to give the newly-acquired audience a taste of what “Rrröööaaarrr” would ultimately become.

The Québécois fit right in with the era’s homegrown German bands. While not as outwardly brutal, not aligning much with the then-nascent ... read more

The promotional “Angel Rat Sampler” EP came out a bit before the “Angel Rat” album itself and contained four songs, all of which would make it onto the LP. The first half features remixed versions of “Clouds in My House” and “The Prow”. While the latter is a rather good track, I find it the least memorable moment on here - Voïvod are excellent composers, but something has to come in last - whereas the former is the best. The remixes, ... read more

At the turn of the century, many ‘80s bands (those that hadn't succumbed to various pressures) were experimenting with alternative, groove, industrial metal, and others. Voïvod was no exception, but in the 20th century’s final year, they chose to release a treat for the old-school fans as well.

MusiquePlus was a Québécois television channel that operated from Montreal starting from the mid-1980s. It featured music videos, and had special segments for ... read more