If there's any album that represents the musical direction I want to take, it'd be Vineland Trio II: Constellations / Starscapes. It's tighter, has a proper vision, and more interesting playing than Vineland Trio I: Origins. We sought to create a musical representation of the sounds of space and the lives of stars.
This album draws from many different sources, whether it's the odd melodies of Terje Rypdal, the dissonance of drone or doom metal or anything in-between. The ... read more
Super sick single and really takes us back to that Crack the Skye era sound, naturally with a bit of their more recent DNA too. Their new album has the chance to be another masterpiece if they can build upon this sound; I'm anticipating an AOTY contender!
Beautiful, soulful blues. I love King's playing and some of these lyrics really do hit, especially "Angel of Mercy" and "High Cost of Loving." Horn arrangements are a real highlight here too, and they work well with the rhythm guitar, bass, drums and organ/e-piano. It's a dense arrangement, but it's not overpowering at all.
Highly recommended!
Unreal. Listen, not every sound here will work for everyone; there's a ton of USPM DNA infused here, especially with Aymar's vocals. The tech thrash and death elements are here, as Chuck Schuldiner writes his best riffs as heavy, crushing, yet insanely complex intricate masterpieces. Songs like Consumed and Expect the Unexpected combine technical marvels with intense, cinematic lyrics, and the lead guitar parts on here don't slack whatsoever, either. Schuldiner around this time ... read more
Utterly astounding. Despite my love for Ron Jarzombek's later work, it's undeniable how much he makes these songs SING. His guitar work compliments the bass so well and this album sounds like nothing else, not even like the band's debut record with Billy White (who himself was a monster). This won't be for everyone, what with its insanely technical performances, but I love it through and through. It's captured my heart.
Is anyone surprised this record is a win with me? Everyone here is at the top of their game and the songwriting is fucking absurd. NO ONE sounded like this in the 80s; some folks came close, there was "technical" thrash, but THIS is the type of complexity, full of rhythmic ideas and frenetic melodic ideas, that I fell in love with.
A must-hear, through and through. Near perfect; could've had a slightly better mix, but the bass is so loud I kinda love it.