morganinasoup

This is their best work yet, but I still feel as though they have a better project coming. An excellent force in indie-rock to look out for.
- Doorway: 10/10, a phenomenal opening piece that gives you a taste of both their heavier and lighter works.
- Poison: 9.8/10, a little short, otherwise a well-paced song that doesn't feel stagnant
- Rewind: 9.6/10, reminiscent of their previous works, rewind is a bit of a throwback
- Shady: 9.4/10, as with rewind, reminiscent of their previous works, ... read more

I am so hyped for the underscores love happening right now, and this album warrants it.
- Tell me (U Want It) 7.8/10, weakest of the singles imo. a fun pop track, but only really gets interesting at the outro
- Music 9.7/10, the song that actually got me into undercores lmao. smart, experimental, catchy. a great pop track that pushes boundaries, both personal and industrial
- Hollywood Forever 9.6/10, perfect encapsulation of the whole record. interesting themes, production is ... read more

Rating every 2026 album I listen to in full, starting with Slayyyter's WOR$T GIRL IN AMERICA! I've been a Slayyyter fan for about 3 years now, so I was excited for this record and needless to say, it did not disappoint.
- DANCE... 8.5/10, a fun single and good opener. Intro could be a bit shorter tho no shade...
- BEAT UP CHANELS 9/10, how does one formulate the ideas for such a song lmfao
- CANNIBALISM! 9/10, smart lyricism, catchy and a general bop
- OLD TECHNOLOGY ... read more

When Wednesday is good, they are incredible.

'Bleeds' is Wednesday's most diverse record yet, transitioning from hard rock, screamo, folk, and indie rock. I believe that Wednesday is at their best when they go lean into the harder sound, seen on track such as Wound Up Here, Candy Breath, and Wasp. Inversely, tracks like Elderberry Wine and Phish Pepsi failed to captivate me in a similar manner. However, the impact from the tracks I enjoy here are enough to bump this score up ... read more