I hear everyone hates Peggy now, but I like the EXPERIMENTAL production on this, even if it's ironically not breaking much new ground.
I wish everything had that wall-of-sound sound that A Man Needs a Maid and There's a World have.
The classics are classics for a reason and let's not forget the song that inspired 70s rock's greatest diss track.
I like dark folk with a lot of group vocals and this a fine addition to that micro-genre.
Every song is the same 4 chords for 20 minutes. Does Kurt find choruses vile?
I found the evolutionary missing link era between Andy's early material (where he sang more normally) and his later material (where it sounds like his jaw is wired shut).