The production is amazing the rapping is amazing, some of the songs are just a tiny bit too repetitive with their hooks
Glad quad isn’t trying to make a better album than vanisher and goes for something different
This is a very fun song with an incredibly catchy horn, although i think this would hit much harder in an album context not as a single
ICEMAN - 3/3
Finally... a real album? This is the best of the 3 albums he has put out, in everything. The singing is better, the rapping is MUCH better with some decent flows on here, especially on tracks like "Make Them Pay", but they still are very repetitive and Drake fails to be creative with them. The production is slightly better too, but it's so monotone throughout the whole album, and that's something you can't afford to do when you make a project this ... read more
ICEMAN - 2/3
I don't think ive heard an album as repetitive and boring as this one. this might be drake's worst project, this is so lazy... Boring flows that gets repeated throughout the whole song, terrible lyrics that will make you laugh at first and sigh at the end. Drake's singing at an all time low, with this high pitch voice that is painful to the ears.
This whole album is so soulless that i was questionning wether or not this was AI generated, i really hope it's ... read more
ICEMAN - 1/3
Some good beats here and there that are absolutely ruined by Drake's horrible singing performances all over this project...
Not much to say about it, it's pretty bad. His flows are boring, repetitive, and even sometimes annoying because of how bland and uninteresting they are.
The lyrics are pretty bad too, to a point where it's just ridiculous and corny even for drake's standard; especially for the choruses:
"And now we're stuck, stuck, stuck like ... read more
Ain't this album suposed to be experimental?
its really good but like come on
I understand it now.
As impactful as Museum Music was, I couldn’t fully bring myself to enjoy his sound at the time but this changes everything.
The structure of this album feels almost completely refined, aside from tracks 23–25, which, to me, don’t add much to the overall experience. Still, the production across most of the project, is really avant-garde, as always, but this time it feels more controlled and intentional.
Skeletrix seems fully in command of his craft. Every ... read more
Her vocals suck ass.
This is so unoriginal and uninspired...
She should give up on music as a whole