One of BMTH's heaviest, darkest, and emotional albums ever made.

A very dark, gloomy album about suicide and everything in between.

One of June's most important projects in her run. And it does not disappoint.

It had potential. But fell off in the back half.

Death Grips go balls to the walls (haha) and break all of the rules with their sophomore album in contrast to their groundbreaking debut.

Wow, just when I thought things could not get any worse.

Danny Brown assembling the Avengers on possibly the hip hop album of the year.

After an incredible feature run, Danny gets the artists he was featured on to join his album and they put on a show in a half. Quadeca giving us some of the greatest production on this album, and absolute angelic pianos and vocals.

underscores keeps her wonderful run going by producing and having yet another incredible feature on this album alongside Copycats with Baby.

8485, Frost Children, femtanyl, and Jane ... read more

Corny, plain, unlistenable.

How the hell does one get Iggy Pop and Ethel Cain on the same album?

As a debut, this project checks all the boxes instrumentally.
I was genuinely blown away with how fairly unknown an album like this is with such great quality.
I anticipate further albums from Yung Exile to see their potential in the future.

While yes, this album is definitely one of Earl's most abstract instrumentally. Vocally it feels extraordinarily lazy with little to no substance outside of a robotic, monotone voice. Which ruins part of the experience for me personally.

Such a nostalgic piece for me. Not only because Dariacore was a huge reason for who I am and my trip through music, but also the inclusion of Minecraft samples and other artists such as underscores, ericdoa, and other artists id grow to love in the future is also a wonderful inclusion.

My favourite Dariacore album to ever surface the planet.

This was genuinely the Yeezus we all needed.
This has turned into my favourite Kanye project. Despite unreleased and unofficial.
A lot more experimental than what the final product was. And the tracks that made it to the final cut are MILES better on here.

While I do enjoy the production patches and the DLC attached to the album. I feel there is little substance in contrast to Peggy's other DIRECTORS CUT albums.

Honestly, overhated.

Patricia Taxxon's TECHDOG series is a project not to be slept on.

Each album corresponds to a feeling TECHDOG is experiencing. Starting off as a warm introduction to a slow downward spiral into pain and agony. Then, in the end, feeling nothing.

It is such a gut wrenching listen from start to finish. At first you are jamming to the IDM, enjoying the happy, wonky vibes these songs give off. But then, you are sat there scared, with the ambience and harsh drones of loneliness crowding you. ... read more

"..But what's in it for me?"

Such a heartfelt, gut-wrenching conclusion to this 12 hour behemoth of a project. TECHDOG forever.

Peggy returns with jazz.

TECHDOG's downward spiral into pain and agony is expressed on stage with this 2 hour masterpiece of Noise, Ambience, Harsh Noise, and everything else in between. With "GEGCGEGHGEGCEDECEHCOCHCDHTHDHODTDODTOTOTOT" being one of the most beautiful closing tracks I have ever heard period.

The conclusion of a near 7 hour project spanning three years redefines the meaning of despair, devastation, and the inevitable coming of death.

This conceptual series of albums about dementia close on nothing short of a sad, draining, empty ending of someone's life with, during, and the effect dementia put on them.

What started as old distortions of ballroom tracks now end up the listener with minimalist, almost empty notes that linger for what feel like forever. Encapsulating the slow, ... read more