At once more deliberate and more liberated than their debut, with Obey Exploded View challenge their listeners to be as free as as their music sounds.
Stylistically eclectic, or maybe even chaotic, Obey is a sublime release, its melancholic moments offered grace and any ounce of frenzy more subtle than overt.
Each track is a garden, blooming with a collection of mystic flora.
If it wasn’t for the split feeling you get between the more rock-driven and explorative songs on the record, this album would certainly be a consistently mesmerizing listen.
A polymorphic record, which displays an affinity for the new wave and post-punk scene, but is keen on enhancing their core with further influences.
Regrouping after the departure of guitarist Amon Melgarejo, they maintain the economical expansiveness of their krautrock forbears, incorporating new instrumentation without fully abandoning their core strengths.
Exploded View have forgone the "first take is the best take" approach and refined their technique. On Obey, they've embraced things like overdubs and multi-instrumentalism to mostly thrilling results.
Clocking in at a nifty 38 minutes, Obey is a solid release, though it trails off near the end with tracks that are clearly less inspired than the others.
The album proves that Exploded View are at their best when they refuse to be constrained by reality, to listen to consensus or to obey, and instead, exist in the dazzling reverie of their collective dream.
I am not sure why there are so many mixed-to-negative reviews, as I think this is a great project. Very beautiful and experimental, great intrumentation, and even a little noisy at times.
| 1 | Lullaby 2:12 | |
| 2 | Open Road 4:19 | |
| 3 | Dark Stains 3:25 | |
| 4 | Gone Tomorrow 5:03 | |
| 5 | Obey 5:29 | |
| 6 | Sleepers 3:49 | |
| 7 | Letting Go of Childhood Dreams 2:41 | |
| 8 | Raven Raven 3:32 | |
| 9 | Come on Honey 2:52 | |
| 10 | Rant 4:45 |