Whether or not this new sound is a result of Bruce Gilbert’s departure, 47 is best appreciated as a record celebrating the dirty underbelly of shiny digital technology. And it’s got some damn good songs to boot.
Object 47 trades harsh monochrome for expansive wide-screen color and a pronounced melodic sensibility.
Scuffed-up and brainy, Object 47 finds Wire still beguiling after all these years.
Object 47 proves that going out with a whimper doesn't preclude you from coming back with a bang.
Object 47 is yet ANOTHER very distinctive LP from Wire. After a handful of years of pretty mediocre and generic releases, they are back to being one of the most uniquely different post-punk bands. Looking back at their previous album Send, Object 47 isn’t as loud and in your face, but still has a lot of punk energy. It has a lot of good songwriting and catchy lyrics but I don’t quite think it’s as impressionable as albums like Send were.
Wire have delved deeper into the industrial sound from the previous album and as a result, "Object 47" is relatively... good. High-energy and kind of fun.
| 1 | One of Us 3:45 | 82 |
| 2 | Circumspect 3:13 | |
| 3 | Mekon Headman 2:58 | |
| 4 | Perspex Icon 3:02 | |
| 5 | Four Long Years 3:44 | |
| 6 | Hard Currency 3:50 | |
| 7 | Patient Flees 5:23 | |
| 8 | Are You Ready? 4:43 | |
| 9 | All Fours 4:04 | 84 |