Birkut
Despite the complexities that make this such a multi-faceted and intrepid addition to the Modern Love catalogue ... Too Many Voices is an immersive experience that builds on the artists’ past without once holding them back.
10y
These tracks sound equally as engaged and provocative as anything on last year’s masterful DS2.
10y
The joint force of this record amounts to little more than a whimpering collapse. It’s painful to endure as a consequence of its crowd-pleasing whims and a disappointment to anyone who enjoyed the off-kilter trappings of his earlier work.
10y
You, Whom I Have Always Hated is a fucking heavy record, an absolute destroyer in fact. With thunderous riffs and gargantuan bass lines that come wrapped in noise and effects, the album certainly has moments of genuine terror.
3y
MN.ROY marks a defining statement from one of the most prolific and interesting musicians of our age.
11y
COME TO LIFE is a continuation of the captivating style he brought to the fore with Digital Lows; it’s motivational, sure, but it’s also thought-provoking and catchy as hell.
12y
Even in an environment of sonic aggression and displacement, he exposes a beautiful truth that lies in the album’s creation — an enchanting testament as to what this producer is capable of.
11y
While it’s clear that the album harbors a sign of affection, there’s just no room for the audience to revel in the appreciation that makes it so.
12y
SAINT PEPSI might be conforming to the stylistic tropes of various appropriation techniques while testing the water as a self-proclaimed vaporwave musician, but the album’s success lies in the producer shedding any micro-genre attributes while bearing a concrete idea as to what he wants his final product to sound like.
12y
They have laid down some astounding tracks here, but as a whole, the album is not on par with any full-length the band have released since Alligator.
13y
Overgrown is a remarkable effort from an artist who continues to do things his own way, regardless of the consequences.
13y
Wolf is going to be remembered as the record that sees Tyler deploying his tact as an astute beat-maker and a producer more than allowing his reputation as a Satan-worshiping neo-fascist to swell any further.
13y
Ghil is an album that’s shaped by ideas, but driven by a sound that’s often disengaged.
12y
Sure, The Pathway Through Whatever is being carried wholeheartedly by the gentle vaporwave, but it’s so aesthetically detached from it that it becomes an anomaly of the best kind.
13y
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