Whitney Pastorek

The Cranberries - Roses
Entertainment Weekly
58
Despite some evocative melodies, there’s nothing here with a hook to match the meat of ’90s classics like ”Linger” and ”Zombie,” and too many of the repetitive lyrics clunk harder than a rhyming dictionary thrown against a wall.
Kenny Chesney - Hemingway's Whiskey
Entertainment Weekly
83

Hemingway's Whiskey, Kenny Chesney's first album in two years finds him slinging his usual mix of country beachcomber anthems and sensitive reminiscence.

Zac Brown Band - You Get What You Give
Entertainment Weekly
75

ZBB's sophomore effort You Get What You Give doesn't stray far from their platinum-
selling blend of country-frat jams and oceanfront jangles; Jimmy Buffett even guests.

Jamey Johnson - The Guitar Song
Entertainment Weekly
83

The moody set mixes covers of legends like Vern Gosdin with originals that ring so true they might as well be standards.

Alan Jackson - Freight Train
Entertainment Weekly
67

It’s time for another round of country music madlibs, and with the exception of "After 17" — an awkward ode to a teenaged lass who’s "not a woman, not a girl" — the results float comfortably in the haze of Jackson’s 20 year career. If you hate surprises, he’s your guy.

The White Stripes - Under Great White Northern Lights
Entertainment Weekly
100
This concert CD/DVD does a great job of highlighting both sides of The White Stripes’ carefully controlled public persona.
Easton Corbin - Easton Corbin
Entertainment Weekly
83
First three thoughts upon listening to Corbin’s debut: 1) He sounds like George Strait. 2) He is singing old-school songs, full of wit and heart. 3) It sounds effortless.
Josh Turner - Haywire
Entertainment Weekly
67

He's devoted to traditional arrangements, and he's packed this fourth album, Haywire, with steel guitar, fiddles, and two-stepping beats.

Dead Man's Bones - Dead Man's Bones
Entertainment Weekly
58

How you respond to this cloying, gothic preciousness ... will have everything to do with your personal tolerance level for things like rough-hewn songcraft and small children chanting about zombies.

Miranda Lambert - Revolution
Entertainment Weekly
100

With themes of sin and forgiveness, regret and acceptance, loss and grown-up love, Revolution is a portrait of an artist in full possession of her powers.

George Strait - Twang
Entertainment Weekly
75
Do these self-penned songs explode like bottle rockets in the vast West Texas sky? No. They sound like George Strait songs, of course. But look, the dude’s cut 57 No. 1 hits. Would you change your tune?
Gloriana - Gloriana
Entertainment Weekly
50

The vast majority of their debut album, Gloriana, falls somewhere between maudlin boy-band songwriting clichés and a particularly melodramatic Six Flags country revue.

The Dead Weather - Horehound
Entertainment Weekly
75

The first half of Horehound is just weird enough to be utterly mesmerizing, a series of ominous, fuzzed-out psycho-blues riffs that climax in the tremendous Rush-meets-Jay-Z rave-up of ''Treat Me Like Your Mother.'' But creative disintegration floods the record's latter regions with less captivating bump-'n'-grindhouse grooves.

Bill Callahan - Sometimes I Wish We Were An Eagle
Entertainment Weekly
100
As the string section swoons, then stabs, behind him, don’t spend too much time trying to figure out what he’s talking about. Just be glad you’ve found such an enthralling maze to get lost in.
Keith Urban - Defying Gravity
Entertainment Weekly
75

He's taken such an aggressive header into the fluffy clouds of romantic optimism, in fact, that he should have just mailed Van Morrison a couple bucks and called this thing Love, Love & Crazy Love. Get thee behind him, cynicism!

Jason Isbell - Jason Isbell and the 400 Unit
Entertainment Weekly
100
There’s a sadness running through the thick Muscle Shoals sound of the former Drive-By Trucker’s second solo effort. This is a record made for exquisite wallowing.
Andrew Bird - Noble Beast
Entertainment Weekly
75

Noble Beast veers off into a cheerily nonspecific world of jangly guitars and meandering melodies that evoke everyone from Okkervil River to Radiohead without ever making an impact of their own.

Brad Paisley - Play: The Guitar Album
Entertainment Weekly
67
The guitar whiz cashes in his superstar chits for this largely instrumental album, an indulgence he's earned but doesn't quite pull off.
Darius Rucker - Learn to Live
Entertainment Weekly
67

If you consider Darius Rucker's bajillion-selling voice something of an old friend, Learn to Live is worth a listen. Otherwise? Meh.

Kenny Chesney - Just Who I Am: Poets & Pirates
Entertainment Weekly
75

For while Chesney can always count on the booze-cruise crowd, the tentative maturity that threads its way through Just Who I Am reveals an artist ready and able to try something deeper. And there’s a lot of us out here who’d happily raise a rum punch to that.

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April Playlist