O’Brien’s voice is beautiful and his songwriting often adventurous, but there are times when the aim isn’t as true as it could be.
There are ... occasional stumbles that suggest that some lessons cannot be learned quickly, and that melody is an essential component of their sound that needs more attention. For now, though, this is much better.
The Real Feel really feels stilted overall. There are pretty moments, but little that’s electrifying.
To conclude that Bromst is a triumph of inventiveness is too easy. It is wildly inventive, but what impresses most is that for all the levity, Dan Deacon has managed to impressively reign in his flights of fancy.
While it doesn’t touch on the epic dimensions Stereolab have proved themselves capable of, Chemical Chords is still substantially satisfying.
Love Ire And Song is a work just about devoid of merit. The most recommendable aspect of it is Turner himself, whose astonishing devotion to his craft and energy in performance are tragically placed into a piss-poor project.