Benjamin Eckman Bieser
In House of Sugar, Alex Giannascoli relinquishes the ownership in authorship, providing a venue for those voices that regale him to decompress, elongate, saunter.
6y
Despite its prickly sonics and inaccessible veneer, Isa takes recourse to a privilege of gratuitous futurity, a privilege its cold sheen blinds itself from registering.
7y
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