His humor and genius wordplay make the harder realities of life palatable, and his brilliant song construction invite you into a world where you can be sad and still be hopeful at the same time.
This album ... is a treat from an artist who approaches art like a marathon runner, fit with plenty of satisfying three minute sprints.
It may one day become a classic, and captures live shows in a bit of a rawer and realer way than a lot of live recordings that you get these days. It’s a good introduction to his music, if you haven’t heard him before. And I’m sure it’s a real treat for the already initiated.
It’s ultimately a triumphant album with its share of darker moments. A pop alternative work of art.
Like Bob Dylan sang before her: it is good to be SAVED! We can be happy at least, that some of Hayter’s grief has turned to joy, and that she wants to share the path that she’s found to salvation, in compelling artistic form.
Having Damon Albarn on the album seems to be a statement of intent: we might be getting poppier, but we’re gonna hold to our artistic standard and deliver music that will continue to challenge and thrill in good form.
They are both great albums (the first a bit more in-your-face than the second, a look Price wears well, a record deserving a 9 rating), but don’t feel like you’ve gotta do it all in one sitting.
Burch knows in releasing this album that she’s making her mark, and she seems confident that it will find a home in hearts, young and old. It’s an astonishing feat, the ten tracks; songs that are well-written and well-performed.
Halo is able to relay the feelings of anxiety, euphoria, beauty and distress, and many other feelings, in the ten tracks that she recorded with her friends. It is an artistic feat worthy of note, and I wonder what these songs would sound like in a live setting, if that would even be possible.