Very good vocal performance, very soothing to listen to. Sadly some songs had annoying piano, which just took away from the best part of the album.
Holy mother of Jesus, this is one of the worst things Big Baller B ever released. The last 2 years we had amazingly funny and catchy songs, like Crack selling Anthem or Prison Sex, but here, Big Baller takes a risk that just doens't work, and shatters all the work he put the last 2 years. It's not even listanable, it's not enjoyable, even for what it is, it is hot garbage.
Initial thoughts: The sound is forgetable. Every song sounds almost the same, although some songs had their moments. It's not mixed or produced well either. I believe that the sound is very much 2006 garage band-like. It's not something I really enjoyed, but it's also not something I hated.
I get what the song is going for, yet every department leaves a lot to be desired. Lyrically to be honest a lot could be improved, especially the profanity at the start came at me out of nowhere and stunned me. Vocally, everything seemed very monotone and unengaging. The same can be said about the ukulele while at first it sounds alright with time it becomes repetitive. I was very surprised at around the 3 minute mark where it goes to a ukulele solo which sounds actually nice. Also the sound is ... read more
It's a cover of a song that I never heard so I won't judge it. I do feel a stupid childish joy though while listening to it.
Everything on this album falls flat on the face. What's good music? What are good lyrics? What is a decent singing performance? What is an engaging song? Those and many other questions will not be answered in this album. I hated every second listening to it. The things i didn't find completely unlistenable don't really matter, a few seconds of American Town that's it, and at best it was decent.
EDIT: 50 -> 62
As powerful as the album is, I believe most songs are plain boring. A very slow beat with Kendrick slowly telling us what is up doesn't really make me enjoy it. The songs that are faster paced and more aggressive I really enjoy. The songs that are very powerful lyrically, where the lyrics outweigh the boringness, like in fear, I also quite grew to like. But overall I am drifting away when listening to this album.
Most of the tracks I didn't enjoy fully. I found a lot of the beats and lyrics plain bad and I couldn't enjoy it because of that. I really liked the rapping part together with some amazing lines that made my jaw drop, just so that I can pick it up and have it dropped again. Yet the style of the whole album didn't click for me.
I won't lie, the very experimental and maximalist LP is entertainingly bad. If scientists could take a peek inside of this young artists mind to decipher what was going on when they made this LP... They would find chaos, and between chaos there would be a small piece of oasis. The whole album sucks musically. I won't sugarcoat it. It's combining sounds that don't work together. The mixing is just horrible. The vocals are bearable, barely hearable in 7 out of the 8 songs. The album as a whole ... read more
It's a solid EP foreshadowing the LP which I am stoked about. Crush and Bad Tattoo, for me leave a bitter sweet taste, that I wish I will grow to enjoy, but for now I believe the lyrics in those songs to be one of the worst in Cannons discography. The beat on all the songs, and the vocal performance, is brilliant. I love that I can enjoy a song that is subpar lyrically because the musical and vocal performance are on such high level, which I would expect from Cannons. Loving you and Desire ... read more
Edit: 80 -> 100
Everything on this album is perfect, from the beat to the vocal performance to the deep lyrics. The quality doesn't drop even for a second, and every second i am on cloud 9 listening to anything on this album.
I find it astounding that I didn't like this when I heard it for the first time when my best friend recommended it to me, but it's one of the best albums I have ever heard. From one of the best artists I know, maybe even the best.
The song is amazing, vocally Sanah does not disappoint, and the music compliments it very well.
This is an experimental sound for sanah, and I believe it's one that sounds really nice. The music is amazing, aside from the twinkle we get everytime we turn into a refrain. And for the first time in me listening to Sanah the refrain is worse than the verses. The vocals are using some kind of effect maybe reverb, that makes me enjoy the song less.
That's a good song, if you ignore the shitty production and mixing. I heard so much swoosh (?)/White noise in my right ear throughout the song. The instrumentals turn into a mush. The voice on this Track is sublime. The text is a huge step up from Szampan, maybe because we have Sanah credited on this song. The meaning is simple, in sanahs songs very repetetive, guy leaves girl -> girl sad, girl copes with breakup by dancing to a melody. Overall vocal carries.
I really like the refrain to this song, the whole refrain -1 line ("Ktoś tu dissuje mnie"), even the instrumentals are good until you get hit with the... keyboard (?) or an electric xylophone (?). The vibe of it gets ruined the second you hear it. The verses are unengaging and kind of lame.
This absolutly stinks of a coorprate. Sanah for the first time sings in male sigular "Słyszałem" instead of "Słyszałam" etc. The song is again about someone leaving you and it completly destroying you. This time around the song is horrific to listen to, the change of person is really weird and doesn't suit Sanah. Everything about this song is horrible. The music is overdramatized to a whole different level and sanahs voice can't make such bad lyrics better.