The music is fantastic. Some of peggy’s most innovative production and his flows are fantastic as always. My issue is with some of the lyrics. This fucker needs to get off twitter. The chronically online, self-assured, egomaniacal smugness some songs are written with kinda ruins it for me. Dude needs to relax a bit. It’s almost modern kanye-esque. Either way, the sonic element stands as a highlight of peggy’s career so far, so i can’t bring it any lower than an 80. I ... read more
A little slow at parts, but when it picks up, it PICKS UP. Gonna start getting into witch house now.
this album means a lot to me so I'm saving writing the review for when I feel ready
Sold alt-country album, very chill, not too memorable. I Know You is fantastic, but other than that a lot of the album blended together for me. Not to say it was unpleasant, the vibe is nice and i love her harmonies, it simply didn't stick with me.
i'm like an R-A-P-E-R got so may SAs
Antichrist, how come you can’t be nice? Look who’s talking, dawg. Like Brian from Family Guy
90 -> 95 -> 97 -> 100
Edit 3: There truly isn’t a single low point on this album. I could listen to any song on here and not only enjoy myself, but feel something completely unique from any other song, without it losing a sense of coherence and connection throughout the project. This album is pure magic.
Edit 2: I can’t stop listening. He has me. Help.
Edit: Many Times is literally me
This is awesome
The first time I listened to this album was last night, and i ... read more
86 --> 95
Edit: This just keeps getting better. This is a mix of the 70s and the 80s, with just enough experimental elements to feel new without losing the sense of familiarity. There is truly no album like this one. I hear Phil Collins, I hear The Police, I hear Dijon, but most importantly is that through all these similarities to other artists, I can hear Michael Gordon. You can feel the emotion and heart put into the psychedelic soundscapes of this project and it truly stands out to me ... read more