There's a superior champagne problems that came a couple of months after this one...

They sandwiched a mediocre album in between two great tracks.

Having a reprise of a song that's longer than the original song and is placed directly after said original should be illegal.

It's... fine? The opening track is great, the rest is kinda samey, and it's really, really short to be marketed as a full album.

I forgot to click the rate button last night; this should have been dated yesterday.

Some of the production on some of these is immensely lacking relative to what I remember them as. This certainly makes me appreciate 1989 (Taylor's Version) a whole lot more again.

Everything on this brought it up to something like a 95 (from an 87), but the inclusion of the Mariah Carey remix of yes, and? dragged it back down.

Why is she screaming in a song that's talking about it being quiet?

It was fairly decent; some parts of the songs were highs, but some other songs dragged it down.

Pretty decent, but not much stood out to me other than Don't Wanna, Gasoline (feat. Taylor Swift) and Now I'm In It.

Misery Business and crushcrushcrush are the highlights, the rest is fine.

Maisie Peters’ Blinding Lights > The Weeknd’s Blinding Lights

I'm not the biggest fan of the original third song or her cover, but the two reinterpretations of her songs are neat.

It’s got more standouts than her first EP but still doesn’t touch the full albums.

I probably should've listened to this before her albums because I might've enjoyed this more.

Simply astounding.

Drags a little bit near the middle but is great, especially for a debut.

I wish I'd heard this sooner because it was great.

Should’ve had more screaming.

That was... intense? I'm really not sure what to feel. That wasn't my kind of music, but on the other hand, it certainly achieved whatever it set out to do.