Bridget

Oh, The Rise and Fall of Ziggy Stardust and the Spiders from Mars—what an absolute treat! Because, you know, who doesn't want to dive into a concept album about a rock star from outer space with a name that sounds like it was dreamt up during a particularly uninspired game of Dungeons & Dragons? David Bowie, clearly ahead of his time, decided to make an entire album about an intergalactic rock messiah. Because nothing says "timeless classic" quite like a flamboyant ... read more

What a dazzling piece of art—if you're really into sugary-sweet, hyperpop explosions with all the subtlety of a Disney musical on a sugar high. I mean, who doesn't love being bombarded with blindingly bright synths and over-the-top cheerful melodies? It's like a nonstop parade of neon lights and rainbows, just in case you weren't already on the verge of a cavity from all the saccharine goodness.

The whole album feels like it was crafted specifically for a crowd that ... read more

The music here may be good, but I feel like the songs were too long. I ended up relistening to the album on 2X speed. I was so happy when it ended so I could listen to songs with actually substance. Jeez.

In "The Death of Slim Shady (Coup de Grâce)," Eminem, the rap god, delivers a lyrical clinic that eviscerates Generation Z with the finesse of a seasoned artist who has seen it all. As someone who thrives in the digital space, I must say, this track is a chef's kiss to the art of trolling. It's as if Eminem took a magnifying glass to the fragile egos of Gen Z and burned them to a crisp under the scorching light of his unrelenting bars.

Eminem's wordplay and ... read more