Album Review: Living Room – AJR
AJR’s Living Room, released in 2015, is their debut studio album, blending electropop, folk-pop, and brostep influences. While the album showcases early glimpses of their signature style, it has been widely criticized for its lack of cohesion and overproduced sound.
Production & Sound
The album mixes quirky, theatrical elements with electronic production, but some tracks feel overly cluttered.
Dubstep-inspired drops appear throughout, making the ... read more
Critical Review: The Goat – Speaker Knockerz
Speaker Knockerz’s The Goat is a posthumous release, consisting of archival beats and unfinished instrumentals. Released 10 years after his passing, the project has been met with overwhelming backlash, with many fans calling it a blatant cash grab.
Strengths
Some beats retain his signature style – While most tracks feel unfinished, a few still carry Speaker Knockerz’s signature bounce and melodic trap influence.
Archival ... read more
Track-by-Track Review: Fireworks & Rollerblades – Benson Boone
Benson Boone’s Fireworks & Rollerblades is a pop-rock-infused debut album, blending emotional storytelling with soaring melodies. The project showcases Boone’s vocal range and songwriting, delivering a mix of heartfelt ballads and upbeat anthems.
1. Intro
A theatrical opening that sets the tone for the album’s cinematic, emotional journey.
2. Be Someone
An uplifting track about self-discovery and ... read more
Strengths & Weaknesses: Proud To Be a Problem – Tom MacDonald
Tom MacDonald’s Proud To Be a Problem continues his signature mix of politically charged, socially critical rap, blending elements of country, rock, and hip-hop. With themes centered around individualism, free speech, and rebellion, the album leans heavily into anti-mainstream sentiment, aiming to challenge corporate media narratives and social expectations.
Strengths
Unfiltered lyricism – MacDonald delivers ... read more
Danny Brown’s Old is a genre-blending, two-sided album that showcases his duality as an artist—balancing gritty storytelling with high-energy party anthems. Released in 2013, the album is split into Side A (introspective, dark narratives) and Side B (wild, electronic-fueled bangers), making it one of his most dynamic projects.
Critics praised the album’s depth and versatility, with Pitchfork calling it “a masterclass in contrast”, and Sputnikmusic describing it as ... read more
Critical Review: 1017 Thug 2 – Young Thug
Young Thug’s 1017 Thug 2, released in 2014, is a sequel to his breakout mixtape, but it lacks the freshness and innovation of the original. The project was released under Gucci Mane’s 1017 Brick Squad label, but Thug himself had little involvement in its finalization, leading to a disjointed and inconsistent listening experience.
Strengths
Signature Thug melodies – Tracks like Oh Ya and 1017 Lifestyle showcase his unique vocal ... read more
Deep Dive: Random Access Memories – Daft Punk
Context & Vision Daft Punk’s Random Access Memories, released in 2013, was a stark departure from their electronic-heavy roots, embracing live instrumentation and disco influences instead of digital loops and samples. The album pays homage to the music that shaped them, blending 70s funk, 80s synthpop, and futuristic themes.
Production & Musical Approach
Unlike previous Daft Punk records, the duo ditched software-based ... read more
More Great Great Name Poop Songs Songs by The Odd Man Who Sings About Poop, Puke and Pee is exactly what the title suggests—a collection of 50 tracks, each dedicated to a different name, with lyrics centered around, well… poop.
The album follows the Motern Media formula, where Matt Farley (the man behind the alias) creates absurd, hyper-specific songs that are both hilarious and bizarrely catchy. Tracks like The Matthew Poop Song and The Nathan Poop Song stick to the same ... read more
Track-by-Track Review: King of the Mischievous South Vol. 2 – Denzel Curry
Denzel Curry’s King of the Mischievous South Vol. 2 is a Southern rap homage, packed with gritty production, aggressive flows, and nostalgic energy. The mixtape features Kingpin Skinny Pimp as the narrator, adding a classic Memphis touch throughout the interludes.
1. KOTMS II INTRO
A brief introduction featuring Kingpin Skinny Pimp, setting the tone for the album’s Southern rap influence.
2. ULTRA ... read more
Young Thug’s Business Is Business is his first album since 2021’s Punk, released while he remains incarcerated. The project, executive-produced by Metro Boomin, features a star-studded lineup, including Drake, Future, Travis Scott, 21 Savage, and Lil Uzi Vert. While the album carries Thug’s signature melodic trap style, it lacks the cohesion and energy of his previous work.
Tracks like Parade on Cleveland open with a dramatic phone call from prison, setting the tone for an ... read more
Album Review: Come Over When You're Sober Pt.2
Lil Peep’s Come Over When You’re Sober, Pt. 2 is a posthumous release that serves as both a tribute and a continuation of his emo-rap legacy. Released in 2018, the album expands on the themes of addiction, heartbreak, and self-destruction that defined his earlier work, but with a more refined and polished sound.
Tracks like Cry Alone and Runaway showcase Peep’s ability to blend melancholic lyrics with dreamy, lo-fi ... read more
Album Review: The Eminem Show – Eminem
Released in 2002, The Eminem Show marked Eminem’s transition from shock-driven controversy to introspective storytelling, blending personal struggles, political commentary, and raw lyricism. It’s widely regarded as one of his best albums, showcasing his growth as an artist and producer.
Production & Sound
Eminem took greater control over production, crafting beats that feel cinematic and hard-hitting.
Dr. Dre’s contributions ... read more
Album Review: BULLY V1 – Kanye West
Kanye West’s BULLY V1 is one of his most controversial releases, blending chipmunk soul, alternative R&B, and experimental hip-hop. While the production shows glimpses of his past brilliance, the album is overshadowed by AI-generated vocals, unfinished mixing, and divisive themes.
Production & Sound
The beats carry classic Kanye elements, with soul samples and jazzy undertones.
Drumless production gives some tracks a lo-fi, abstract ... read more
Album Review: Virgo World – Lil Tecca
Lil Tecca’s Virgo World was meant to be his debut studio album, following the success of We Love You Tecca. However, instead of solidifying his artistic identity, the album falls into repetitive patterns, lacking the depth and originality needed to stand out.
Strengths
Polished production – The beats are clean and well-mixed, with contributions from Nick Mira, Skrillex, and Taz Taylor.
Catchy melodies – Tecca’s melodic flow ... read more
Album Review: Brown Boy 2 – NAV
NAV’s Brown Boy 2 serves as the deluxe edition of Good Intentions, adding 14 new tracks to the original album. While it maintains NAV’s signature melodic trap style, the project struggles with repetitive themes and uninspired execution.
Production & Sound
The beats are clean and polished, with contributions from Pro Logic, Money Musik, Tay Keith, and jetsonmade.
The trap-heavy instrumentals provide a solid foundation, but many tracks lack ... read more
Deep Dive: The Pre-Party (Extended) – Juice WRLD
Juice WRLD’s The Pre-Party (Extended) is a posthumous release, continuing his legacy of emo rap, melodic trap, and introspective lyricism. With only four tracks, the project is short but emotionally impactful, blending themes of heartbreak, addiction, and fleeting success.
Production & Sound
The beats maintain Juice WRLD’s signature atmospheric style, with dreamy synths and heavy bass.
Nick Mira and Purps handle production, ... read more
Album Review: UTOPIA – Travis Scott
Overview
Released in 2023, UTOPIA is Travis Scott’s most ambitious project yet, blending psychedelic trap, experimental production, and star-studded collaborations. While it doesn’t quite match the cultural impact of Astroworld, it still delivers moments of brilliance.
Production & Sound
The album leans heavily into Kanye West’s influence, with tracks like "God’s Country" and "Telekinesis" originally ... read more
Mixtape Review: Birds of a Feather – Gucci Mane
For this review, let’s take a raw, unfiltered approach, focusing on the energy, features, and overall impact of this 2015 Gucci Mane mixtape.
Overview
Birds of a Feather is a trap-heavy, feature-packed mixtape, showcasing Gucci Mane’s signature street storytelling and aggressive delivery. While it has moments of intensity, the project suffers from inconsistency and forgettable tracks.
Strengths
Hard-hitting beats – The ... read more
Album Review: Hier Kommt der Schwartze Mond – Valium Aggelein
For this review, let’s take a textural approach, focusing on the atmosphere, sonic layers, and emotional weight of this slowcore, space rock revival album.
Sound & Atmosphere
Valium Aggelein, essentially Duster under a different name, crafts an album that feels like floating through deep space. The lo-fi production, lethargic tempos, and hypnotic drones create a soundscape that is both melancholic and ... read more
Album Review: Confessions of a Dangerous Mind – Logic
For this review, let’s take a critical analysis approach, focusing on themes, execution, and reception rather than just track highlights.
Overview
Released in 2019, Confessions of a Dangerous Mind was meant to be a deep dive into Logic’s struggles with fame, criticism, and mental health. However, instead of delivering thoughtful introspection, the album often feels self-indulgent, repetitive, and lacking in depth.
Themes ... read more
Create an account to rate and review albums.
Recent Review Comments
On πΆππ½ππΆπππΆ's review of PARTYNEXTDOOR - $ome $exy $ongs 4 U
"Fair take—Drake’s early hunger was undeniable, but $$$4U feels more like an artist settling into his comfort zone. The lack of emotional depth makes it hard to connect, and PND, usually a standout, barely leaves an impression. While some enjoy its smooth, lowkey aesthetic, it’s valid to question who it’s really for when it lacks impact in every direction. If ego is driving the music, the passion gets lost. Honest critique—disappointing, but expected."
On whatsthebuzz's review of PARTYNEXTDOOR - $ome $exy $ongs 4 U
"Fair critique, but expectation matters. $$$4U was meant as a lowkey R&B album, not a reinvention—which won’t work for everyone. PND feels underutilized, and Drake plays it safe, but neither are outright bad. Production is muted, lacking standout moments, making it forgettable if you wanted something grander. Could it have been more ambitious? Yes. But calling it the worst feels harsh—it’s solid but uninspired."
On Withers097's review of Jared Faber - Teen Titans Go! to the Movies (Original Motion Picture Soundtrack)
"Fair point—My Superhero Movie does have that undeniable catchy, feel-good energy that makes it hard to resist. The upbeat instrumental, playful lyrics, and sheer enthusiasm in the performance make it stand out as one of the best tracks on the Teen Titans Go! To the Movies soundtrack.
That said, while it’s a banger in its own right, the soundtrack as a whole leans heavily into comedic novelty, which might not appeal to everyone beyond the movie’s context. But if fun, over-the-top superhero anthems are your thing, then yes—this one delivers!
Would love to hear your thoughts on the rest of the album! Do you think it holds up, or is My Superhero Movie the clear standout?"
On billy woods - GOLLIWOG
"@MyNameIsLuca Appreciate that, Luca! GOLLIWOG is definitely an experience, and I tried to do it justice with an honest, sharp review. Glad you enjoyed it!"
Advertisement