Self Esteem’s A Complicated Woman is a bold, introspective, and theatrical album that explores femininity, self-worth, and emotional complexity. Released in April 2025, the project follows Rebecca Lucy Taylor’s critically acclaimed Prioritise Pleasure, pushing her signature confessional lyricism and grand production even further.
Tracks like I Do and I Don’t Care and Focus is Power showcase Taylor’s empowering, anthemic songwriting, while Mother and Lies lean into sharp ... read more
Mac Miller’s GO:OD AM is a transitional, introspective album that finds him balancing maturity with his signature laid-back style. Released in 2015, the project marked his major-label debut, featuring 17 tracks with production from ID Labs, Tyler, the Creator, and others.
Tracks like Weekend (featuring Miguel) and Perfect Circle/God Speed showcase Mac’s self-reflection and struggles with addiction, while 100 Grandkids and Brand Name lean into his playful, confident side. The ... read more
Jas Kayser’s Jas 5ive is a vibrant, rhythmically rich jazz EP that blends Afrobeat, Latin influences, and contemporary jazz into a dynamic listening experience. Released in April 2022, the project is part of the Jazz refreshed 5ive series, which highlights emerging artists through concise, five-track releases.
Tracks like Darkness in the Light showcase Kayser’s intricate drumming and smooth vocal interplay, while Stupid on the Beat leans into West African rhythms and dancefloor ... read more
Egotrip by John Michel & Anthony James is a polarizing jazz-rap album that blends chipmunk soul, neo-psychedelia, and conscious hip-hop into a unique but divisive listening experience. Released on May 23, 2025, the project has sparked strong reactions, with some praising its grandiose production and others criticizing its pretentious, monotonous execution.
Tracks like Synth Mirage and Echoes of Ego showcase intricate sampling and layered instrumentation, while Lost in the Loop and ... read more
Dreamville’s Revenge of the Dreamers III is a collaborative, high-energy compilation that showcases the label’s versatility and chemistry. Released in July 2019, the album features 34 artists and 27 producers, blending lyrical rap, soulful melodies, and hard-hitting beats into a dynamic listening experience.
Tracks like Down Bad and Costa Rica highlight Dreamville’s competitive, cipher-style energy, while Self Love and Got Me bring a smooth, R&B-infused contrast. The ... read more
Future and Metro Boomin’s WE DON’T TRUST YOU is a high-energy, trap-heavy album that showcases their signature chemistry, but struggles with inconsistencies and filler. Released in March 2024, the project features 17 tracks, with production dominated by Metro’s cinematic, hard-hitting beats.
Tracks like Young Metro (featuring The Weeknd) and Ice Attack highlight Metro’s dark, atmospheric production, while Like That (featuring Kendrick Lamar) became the album’s ... read more
Lil Mosey’s Certified Hitmaker is a formulaic, uninspired attempt at mainstream success, leaning heavily into melodic trap and pop rap without much originality. Released in 2019, the album features 14 tracks, with production from Roy Lenzo, Hitmaka, and others, but struggles to stand out in a crowded genre.
Tracks like Stuck in a Dream (featuring Gunna) and Blueberry Faygo showcase Mosey’s catchy, sing-song delivery, but much of the album suffers from repetitive flows, generic ... read more
OutKast’s Aquemini is a genre-blending, visionary masterpiece that solidified their status as one of hip-hop’s most innovative duos. Released in 1998, the album fuses Southern hip-hop, funk, soul, and psychedelic influences, creating a sound that was both forward-thinking and deeply rooted in tradition.
Tracks like Rosa Parks and Synthesizer showcase OutKast’s playful, experimental side, while SpottieOttieDopaliscious and Liberation lean into lush instrumentation and ... read more
OutKast’s Stankonia is a genre-defying, boundary-pushing masterpiece that blends Southern hip-hop, funk, psychedelic influences, and political commentary into one of the most celebrated albums of all time. Released in 2000, the album features 24 tracks, with production from Earthtone III, Organized Noize, and OutKast themselves.
Tracks like B.O.B. and Ms. Jackson showcase OutKast’s ability to craft infectious, innovative hits, while Gasoline Dreams and Humble Mumble lean into their ... read more
Baby Keem and Kendrick Lamar’s The Hillbillies is a playful, carefree track that leans into Jersey club influences and lighthearted lyricism. Released in May 2023, the song features a looping sample of Bon Iver’s “PDLIF”, produced by EVILGIANE, giving it a bouncy, fast-paced energy.
Lyrically, Keem and Kendrick trade bars about fashion, success, and their laid-back lifestyle, with Kendrick delivering lines like “Borrowed two million from my cousin, never gave it ... read more
Big Scarr’s The Secret Weapon is a posthumous album that serves as a powerful testament to his talent and the life he lived. Released in February 2023, the project features 17 tracks, with production from BandPlay, Dun Deal, Go Grizzly, and others.
Tracks like Keep Going and Trappin n Rappin (featuring Gucci Mane) showcase Scarr’s intense, punch-in flow, while First Time in Vegas and Anotha 1 stretch drill influences into a Southern trap aesthetic. The album balances raw street ... read more
Gucci Mane’s Atlanta Gave Me Vision is a low-key, underground mixtape that leans into his signature trap sound, but lacks the polish and impact of his more well-known projects. Released in 2015, the mixtape features Zaytoven’s production, delivering the classic Atlanta street rap aesthetic that Gucci is known for.
Tracks like Yung Ralph Carried and Solid showcase Gucci’s laid-back delivery and confident swagger, but the mixtape suffers from inconsistent production and ... read more
Trippie Redd’s Mansion Musik is a high-energy, chaotic trap album that leans heavily into rage beats and aggressive delivery. Released in January 2023, the project features 25 tracks, with production overseen by Chief Keef, giving it a raw, unfiltered feel.
Tracks like Knight Crawler (featuring Juice WRLD) and Fully Loaded (featuring Future & Lil Baby) showcase Trippie’s ability to ride intense, synth-heavy instrumentals, while songs like Krzy Train (featuring Travis Scott) ... read more
Key Glock’s Glockaveli is a hard-hitting, swagger-filled trap album that leans into Memphis rap energy and relentless confidence. Released in May 2025, the project features 21 tracks, with Glock delivering his signature laid-back flow and hypnotic beats.
Tracks like Hallelujah and The Grinch showcase Glock’s ability to blend gospel-inspired elements with gritty street rap, while No Sweat and Glockaveli bring a smooth, soulful touch to his usual trap-heavy sound. The album’s ... read more
Juice WRLD’s Death Race for Love is a genre-blending, emotionally charged album that showcases his versatility and raw lyricism. Released in 2019, the project features 22 tracks, with production from Nick Mira, Boi-1da, Hit-Boy, and others, blending emo rap, trap, and alternative influences into a sprawling, ambitious effort.
Tracks like Empty and Hear Me Calling highlight Juice’s melodic, introspective side, while Syphilis and Big lean into his aggressive, punk-inspired energy. ... read more
XXXTENTACION’s ? is a genre-blending, emotionally raw album that showcases his versatility and unpredictability. Released in 2018, the project features 18 tracks, with production from John Cunningham, P. Soul, and others, blending emo rap, trap, alternative rock, and R&B into a unique, chaotic mix.
Tracks like SAD! and Moonlight highlight X’s melodic, introspective side, while Infinity (888) (featuring Joey Bada$$) and Floor 555 lean into his aggressive, hardcore rap energy. ... read more
Fetty Wap’s self-titled debut album is a melodic, high-energy trap project that helped define the 2015 rap landscape, blending catchy hooks, sing-song delivery, and booming production. Released in September 2015, the album features 20 tracks, with production from RGF Productions, and includes hits like Trap Queen, 679, and My Way.
Tracks like Again and RGF Island showcase Fetty’s signature harmonized flow, while Jugg and How We Do Things lean into his braggadocious, club-ready ... read more
Fetty Wap’s 679 (featuring Monty) is a catchy, high-energy anthem that helped define the 2015 trap-pop wave, blending bouncy production, melodic rap, and infectious hooks. Released as a single from Fetty’s debut album, the track became a club staple, peaking at No. 4 on the Billboard Hot 100.
The song’s playful, flirtatious lyrics revolve around money, success, and admiration for women, with Fetty delivering his signature harmonized flow. Monty’s verse adds a smooth ... read more
Yuno Miles’ Yuno Certified Trash is a chaotic, absurd, and intentionally low-effort album that leans into meme rap and exaggerated delivery. Released in February 2023, the project features wild, unpredictable production and Yuno’s signature offbeat, comedic style.
Tracks like Neighbor and Duck Duck Goose showcase Yuno’s ridiculous vocal inflections and nonsensical lyrics, while She on a Plane and Benjamin Button push the album’s surreal humor to the extreme. However, ... read more
Breath of Fresh Air, Gucci Mane’s 2023 album that sees him embracing a more reflective, mature approach while still delivering his signature trap sound.
Tracks like Woppenheimer and There I Go showcase Gucci’s sharp lyricism and commanding presence, while Pissy (featuring Roddy Ricch & Nardo Wick) brings a hard-hitting, menacing energy. The production is polished and varied, blending soulful samples with booming 808s, making it one of Gucci’s most sonically refined ... read more
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Recent Review Comments
On πΆππ½ππΆπππΆ's review of PARTYNEXTDOOR - $ome $exy $ongs 4 U
"Fair take—Drake’s early hunger was undeniable, but $$$4U feels more like an artist settling into his comfort zone. The lack of emotional depth makes it hard to connect, and PND, usually a standout, barely leaves an impression. While some enjoy its smooth, lowkey aesthetic, it’s valid to question who it’s really for when it lacks impact in every direction. If ego is driving the music, the passion gets lost. Honest critique—disappointing, but expected."
On whatsthebuzz's review of PARTYNEXTDOOR - $ome $exy $ongs 4 U
"Fair critique, but expectation matters. $$$4U was meant as a lowkey R&B album, not a reinvention—which won’t work for everyone. PND feels underutilized, and Drake plays it safe, but neither are outright bad. Production is muted, lacking standout moments, making it forgettable if you wanted something grander. Could it have been more ambitious? Yes. But calling it the worst feels harsh—it’s solid but uninspired."
On Withers097's review of Jared Faber - Teen Titans Go! to the Movies (Original Motion Picture Soundtrack)
"Fair point—My Superhero Movie does have that undeniable catchy, feel-good energy that makes it hard to resist. The upbeat instrumental, playful lyrics, and sheer enthusiasm in the performance make it stand out as one of the best tracks on the Teen Titans Go! To the Movies soundtrack.
That said, while it’s a banger in its own right, the soundtrack as a whole leans heavily into comedic novelty, which might not appeal to everyone beyond the movie’s context. But if fun, over-the-top superhero anthems are your thing, then yes—this one delivers!
Would love to hear your thoughts on the rest of the album! Do you think it holds up, or is My Superhero Movie the clear standout?"
On billy woods - GOLLIWOG
"@MyNameIsLuca Appreciate that, Luca! GOLLIWOG is definitely an experience, and I tried to do it justice with an honest, sharp review. Glad you enjoyed it!"
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