carminee

"Please don't ever become a stranger / Whose laugh i could recognize anywhere" - New Year's Day

reputation is Taylor Swift’s brave attempt to dive into electronic music after her risky, but ultimately successful, pop shift with 1989. Despite some missteps, Max Martin and Jack Antonoff’s production carries most of the project, revealing a more fragile and intimate version of the pop star beneath the villain mask she chose to embrace.

“Sometimes I feel like I'm not even trying / That's when my feet start dancing away” — Keep It, Hold It

EUSEXUA is a psychedelic, mystical experience. FKA twigs’ juxtaposition of layered vocals and distorted sounds becomes increasingly convincing the deeper you dive into the record.

"Now you hang from my lips / Like the Gardens of Babylon" - cowboy like me

I might be a little biased here, but evermore is Taylor Swift’s best work.

I once read a theory suggesting that the entire album is an exploration of pain and sorrow that ultimately culminates and resolves in the deluxe tracks, right where you left me and it’s time to go. In that sense, you are faced with a choice: either hold onto the pain, or finally let it go.

I could talk about this record ... read more

Grace by Jeff Buckley is an incredibly well-rounded record. Every track is a majestic blend of Jeff’s ethereal voice and some of the finest instrumentals I’ve ever heard. I didn't like a few lyrical choices here and there, but that becomes almost irrelevant when he sings them LIKE THAT.