İ feel like this would been a highest rated track, if this was included for the closing of the album instead being scrapped away.
I think people should criticize artists moderately, no matter underground, mainstream or corporated/manufactured because we all let themselves consumed by their attention, give useless opinions and support them because of chart systems.
Instead of supporting them just for money, I think the members won't be having a money because it gets stolen who handles them, learn to boycott them by once because it's co-worker repetition that artists are really failing to outgrew because someone ... read more
İ cannot literally believe they were using the same guitar loop within 3 parts, within there's so many happening going on...
Places of light with just flute grooving is so amazing tho
Seiko retains herself here as an idol artist, I could say this is one of those albums I could listen from her but it doesn't transitioned herself or I don't feel her coming out as an artist, at least it wasn't a general/average city pop project 😕 at least the production team is still doing well.
10/10 for the cover
Please listen to it hahahahaha
https://cashewkorpe.bandcamp.com/album/situ-situ-situationship-situ-situ-single
I don't fuck with Zionists should be renamed as I "don't fuck with kahanists who destroyed the Israeli image, economy and Iranian settlers"
Nonetheless it's alright.
If you know who is Ryuichi Sakamoto was, then you had to listen to this Double A-sided single (with Not Crazy to Me) like I said, that the album version of Not Crazy To Me is one of my favorites sadly this radio version they removed some of black backup vocalist's part which it's a great combination for akina to mix everything and it ended up as a fresh starter compared with her three single releases when she was still at warner records..
After Jolin showcased a variety of her amazing and consistently innovative albums as she follows with trends that aligns with her identity or making a identity of her own that makes each trend fresh by years, Jolin fell out with this one and it does not give the same level as her previous works where she gave more effort (tracks being shorter just to get more radio success/viral and concept wasn't explored much as agent J and butterfly "which butterfly was my favorite album of ... read more
I thought this record would be popular here in this site, but this album I don't felt it too much, cause it just reminds me a rejected american alt/emo/indie album but with a Tagalog language that tries to reheat attention for those who liked Kitchie Nadal or any indie bands from Philippines who has this similar, outdated 2000s nostalgia-bait sound as hers.
The problem with OPM (or official Philippine music) is some artists really fail to have a distinctive, innovative and to have a ... read more
After appreciating their previous darker and gloomier sound, this duo turned into one man band really shows the huge difference with a cheerful approach and looks for a personification as their several characters he made with each song tells new aspects like were likely to shed their much of a despairing sound.
But I would look forward for this one man band next album, if this tends to be brighter, positive and mellow as this record.
I wish like they cut it in a surprising way and a new outro to finish this EP off but anyways I enjoy it somehow.
Bangers after Bangers finally akina returned to her unusual signature singing style, after trying to lighten her voice in her previous album Resonancía.
Now it stands out as an absolute killer in her discography.