I am pleasantly surprised by this release. Considering that all of Yeat's previous works (without exception) were seen by me as failures, "DANGEROUS SUMMER" is not one of them. Finally, Yeat has created a concise album without filler tracks and with a sufficiently diverse sound.

I added four tracks to my playlist. That's four more than from all his previous albums combined.

Самая объемная, самая проработанная пластинка группы.

Не с первого раза врубился в альбом, но через пару прослушиваний всё встало на свои места и передо мной открылась искренняя музыка, каждая наносекунда которой пропитана профессионализмом, стилем и честностью. Каждый ... read more

Хорошее переосмысление собственных треков.

Скриптонит решил переложить песни со своего "нелюбимого альбома" на новый лад и у него это получилось довольно неплохо. Некоторые треки стали звучать лучше, как, например, "Локоны", некоторые не достигли высот ... read more

"Latinskaya Muzyka" – апогей продюсерской деятельности Адиля. Шедевральная работа.

Перед прослушиванием второго студийного альбома группы Скриптонита, решил освежить в памяти их дебютник. Что же, впечатления остались теми же – красивая акустика с парочкой бэнгерных хайлайтов в виде песен "Скучаю" или "Всё что легко пришло".

Несомненным ... read more

Сквор на протяжении всей карьеры выдаёт стабильный материал – стабильно хороший. На "Shqcore" мы слышим все фирменные приёмы Сквора, только к энергичному хайперпопу добавились элементы танцевальности (в основном за счёт брейкбитов), что, определенно, сыграло в плюс и ... read more

The album is not perfect; it has many flaws and shortcomings, but it's not as bad as people say. Yes, it feels lengthy and should have been cut in half to keep only the truly banger tracks, but even among such mediocrity, there are diamonds that vibe hard and make you want to listen again.

In the end, it results in a solid refreshing trap with a bunch of decent verses from both familiar artists and those I'm hearing for the first time.

I'm in absolute awe of the album.

Let me start with this: who the hell is Jon Bellion? I'm listening to his music for the first time and I want to say this: he's incredibly cool!!! Bellion radiates the energy of a talented and thoughtful person who knows how to create expressive and emotional songs. The album is quite mature and emotional. John, a father of three sons, spends forty minutes reflecting on the theme of fatherhood, diving into the past and recalling his own ... read more

The release is not a bit different from its predecessor. It features the same classic Eastern-oriented beats with Benny's dominating flow. This album is decent, but nothing more.

Classic Benny on classic beats. Sometimes it sounds incredible, other times completely boring. Worth a one-time listen.

A cohesive album that flows dynamically. It’s not revolutionary and unlikely to change the course of the British scene, but in my opinion, the value of the work lies in this: Don’t Die Before You’re Dead is a hip-hop album every inch of which is soaked in Britishness. The musical landscape, the manner and style of performance, the selection of guest verses — all elements are infused with British aesthetics.

Tracy, together with the producers, presents everyday British ... read more

Альбом получился крепким, но без особых всплесков.

Несмотря на музыкальную неоднорость, инструменталы хорошие, хотя и попадаются тайповые биты по типу "have mercy" или первой части трека "wow". Нравится, как Фест на уверенном залетает на инструменталы, сливаясь с ними ... read more

This is definitely the best album I've heard from Key Glock. I really like the musical landscape of the record, especially the moments when a church choir with beautiful chants is added to the instrumentals. I also appreciate Key’s consistent flow, which variably adapts to the different dynamic and rhythmic moves of the beats.

Yes, it’s the best album I’ve listened to from him, but it still has its issues. The main one is the length and the bloated tracklist. Although ... read more

I remember the times 10–12 years ago when, under the influence of my older brothers, I played World of Warcraft and leveled up my paladin. The older I got, the more I drifted away from the game, but what always stayed with me was the music used in PvP duel montages. The main songs in those montages were "Bring Me to Life" by Evanescence and "Remember the Name" by Mike Shinoda. So every time I listen to the album or come across that single, I listen with great warmth ... read more

Instead of a conceptual work, the Creator presents an extremely easy-to-listen-to hip-hop album with a bright touch of danceability. Tyler made a classic, energetic hip-hop album, successfully incorporating a dance aesthetic that works. This album is excellently crafted; every element is precise, but its strength lies not in the production or performance, but in the original idea. Tyler clearly stated why he made the album — for us, ordinary mortals who are shy about dancing and ... read more

This project couldn’t have failed from the start:

Pharrell, in his best form and, in my opinion, delivering the best rap beats of his entire career;

Pusha and Malice destroying every instrumental given to them and delivering geeky, hardcore hip-hop;

Incredible guest artists who not only matched the brothers but also brought an extra boost.

Looking at this, it’s impossible not to fall in love with the release. Thanks to Clipse and Pharrell for the best hip-hop album of the year.

It’s just a regular trap album that, in my opinion, has lost its original charm, and none of the songs reach the level of “WHAT TO DO?” or “GATTI” from the first part.

I like the idea of perceiving this album as a recording of buddies who gathered for a sleepover at a friend’s place and created a solid, catchy trap with memorable songs. I just can’t see this EP any other way.

If the previous album’s sound was quite eclectic, jumping from one rock subgenre to another, then No Sun Today is, on the contrary, a more cohesive work that develops a post-grunge sound. On Wake Me, you could feel the borrowing of Nirvana’s style, whereas on this second studio album, there is a clear search for its own individuality and identity. The instrumentals have become more consistent, featuring catchy and memorable guitar riffs. I especially like the heavy electric guitar ... read more

Despite its cohesive sound, the album is heterogeneous and difficult to classify into any specific rock subgenre. The record contains elements of nu-metal, post-punk, hard rock, and grunge. Some instrumental parts surprise with their originality, while others seem overly simple and ordinary. The debut track is mind-blowing! A beautiful guitar riff with a pronounced drum part, framed by Chester’s unbearably talented vocals. Overall, he sounds phenomenal throughout the album, but ... read more