Most will think it's too much, but die hard fans couldn't have asked for more.

Yup, it's still dissapointing. I fucking hate that synth tone throughout the whole album. Later half is the only redeeming factor of this album, but it's still sloppy in execution

The peak of Paramore, a refreshing change from the pop-punk style of old.

God I love that baritone guitar tone

Best of 2000s Maiden. Epic, progressive and adventurous.

Brilliant album with a terrible kick drum sound.

Piece of Mind? More like, Piece of Mid.

Unfortunate finish to a brilliant band. Feels like a parody of ones self, but at least you can hear the guys having fun with it.

The moment where Strapping Young Lad shined the most bright. Terrifying, monumental, and absolutely mental. Almost perfection, but we all skip Info Dump always anyway.

The most Mid album Devin's probably ever made. A few good songs, surrounded by boring riffs and uninspired "anger".

An absolutely feral, and crushing metal album with an industrial edge. Chaos, with glimpses of transcendental moments.

Messy, ugly, yet charming in its filth. A tantrum of an album with a terrible clicking kick drum blasting the whole way through.

Ocean Machine as a whole live makes it worth listening to. Live mix is a bit muddy with the orchestra, but an incredibly solid effort, and a nice end to the Devin Townsend Project.

Each original four DTP albums fully live, with extra encore songs that have barely been played live? Thank you, yes please.

One of Devin's best audience decided live setlist. The production of the Z2 side of the show really highlights how the albums needs live theater in order to shine.

A nice little side-note album of acoustic covers. Worth it for the songs that weren't recorded for the album 'Ghost'.

Overrated and just kidna dull. Sound like a band that ran out of steam a while ago, a shell of ones former self.

Such a disappointing sequel to one of the most insane concept albums. Feels neutered, and uninspired. Few good small moments here and there that shine in the rough.

An album that feels incredibly forced, made during a time where Devin felt a lot of grief. With more time and thought, this could have been a classic, now it just feels like an afterthought.

A sequel to Devin's 'Addicted' album, this time it's more gospel, theatrical and rock and roll. And it kinda rocks because of it.