DennyG

The production is remarkably better than what he's been doing for the past few years, even if every element besides his voice has been notably improved.

Morrissey attempts to persuade his audience after a nearly 6-year hiatus caused by record label drama. He attempts to execute a sound that somewhat resembles singing, but is muffled both by his elderly voice and the obnoxious production that barely suits anyone, letalone the 1950s crooner-esque voice of Morrissey.

The only depth that any of the lyrics he was once famous for are granted throughout this 50 minute album- is when he yells at clouds in the opening track, informed by being let go ... read more

Primarily out of context, seeing as the soundtrack is just as much part of the experience as the film- but there’s nothing hateable here. Film was great though.

No sound has ever been closer to capturing the essence of eternal bliss like the marriage between the innocent, and yet non-oblivious warmth in the voice of early 60s Lesley Gore and the glory of the perfected, lavish orchestral pop production that resides in this disc.

No title has ever been more apt than ‘I’ll Cry If I Want To’. Melancholy and heartbreak is tied with love for the most common subject of a song- yet this collection of covers personifies the rare and ... read more