Voodoo

Yeah so this is whatever the entire opposite of a sophomore slump would be. Coming here after Brown Sugar which I thought was quite good, this is on a whole different level. D'Angelo's Vocals are just as consistently incredible, if not somehow better. The instrumentation remains smooth but adds a lushness to the sound that sounds both grandiose and pillowy at the same time. I wasn't surprised to see ?uestlove listed on the production side because the drums and some other elements really reminded me of The Roots. The bass guitar is really the true hero, carrying an undeniable groove and swagger throughout the entire project that enhances everything that is being sung and backs up the drums to make a legendary rhythm section (Apparently the bassist is a white guy from Wales, really surprised by that but hey go Wales). This album also steps up the sensuality from the previous album and makes it even more intimate, providing a space where closeness with your beloved(s) is not only encouraged, it's practically begged for. "Untitled" is regarded as one of the best songs ever and I think it frankly deserves that reputation, but also fell in love with "Devil's Pie", "Send it On". One last thing I will say is after understanding that D'Angelo was struggling with his new reputation as a sex symbol and other personal struggles, I am grateful that he took the time to step away from the spotlight so he could deal with his own demons, and it's hopeful knowing he came out with another album later down the road when I hope he had his life and mental health under more control. This is a fantastic Neo-Soul and R&B album, as well as an album in general. This is the kind of album that attracts listeners from all different backgrounds to experience it and if you haven't yet, it comes very recommended from me.