Black Yacht Rock Vol. 1 was a surprise drop from Pharrell – one that many people still don’t know about since it’s not on streaming – but quite a pleasant one. The project delivers some fine, laid-back tracks with his signature smooth production and catchy melodies. While it’s not a major statement, it’s an enjoyable listen with a breezy, effortless charm. A solid little addition to his catalogue.

MIXTAPE PLUTO is exactly what you’d expect from Future on a mixtape—straightforward, punchy, playful, and full of classic Future energy. It’s a solid mixtape that brings back his signature mixtape vibe, with Future fully in his bag. While it might not break new ground or offer anything too crazy, it’s just fine. The production hits, and Future’s delivery is exactly what we’ve come to expect from him. It’s an enjoyable listen, perfect for OG Future fans. ... read more

After enjoying their first album WE DON’T TRUST YOU, I’m happy to say that WE STILL DON’T TRUST YOU is another solid effort from Future & Metro Boomin. Expecting the second album to lean more into an R&B sound, I was eager to hear what they would come up with, and I’m pleased with how it turned out. While the album is a bit bloated in terms of length and could have benefited from a tighter tracklist, most of the songs still deliver quality and heat.
Standout ... read more

11 by Westside Gunn is unfortunately a bit of a letdown if you were hoping for another full-length instalment in the HWH series. While the songs themselves are solid, they feel a bit more of the same, and unfortunately, the EP as a whole comes across as forgettable. There are also quite a few phone call skits that unnecessarily bring down the actual runtime. It’s not a bad listen by any means, but it doesn’t bring anything new or particularly exciting to the table. Still, it’s ... read more

Bad Cameo by James Blake and Lil Yachty is a surprisingly smooth and enjoyable collaboration. Who would've thought Yachty had this (+ Let’s Start Here.) in him? The chemistry between James and Yachty is great, combining Blake’s atmospheric production and Yachty's laid-back, melodic flow in a way that sounds very pleasant. Standout tracks like In Grey and Midnight showcase a side of Yachty that's more introspective and mature, and James Blake’s signature sound ... read more

While it's not as expansive as some of his previous works, it still offers a few gems that fans will appreciate. Overall, SABLE, is a nice listen, offering a glimpse into the more introspective side of Bon Iver’s artistry.

Everybody Can’t Go by Benny the Butcher is yet another hard-hitting project from Benny that showcases his raw talent. The album is packed with sharp lyricism, convincing storytelling, and a strong sense of authenticity, backed by solid production that complements Benny's style perfectly. I really liked the intro track, Jermaine's Graduation, which I think is one of Benny's best songs—a very impactful and memorable start to the album. It's introspective, ... read more

GAMMA is a solid and well-crafted album that leans into a more atmospheric and cinematic sound. Gesaffelstein dials back the harsher, industrial elements of his past work in favour of something more restrained, moody, and even punk-tinged. The production is as polished as ever, with cold synths and brooding basslines creating a tense, hypnotic atmosphere.
While it doesn’t necessarily hit as hard as some of his previous work, and some moments blend together, GAMMA still offers a compelling ... read more

HARDSTONE PSYCHO is Don Toliver fully in his element—smooth, melodic, and stylish. The album generally maintains a consistent aesthetic, with electric guitar-driven production shaping a more distinctive sound. However, while this direction is a refreshing touch, it could’ve been explored even more instead of leaning back on his more well-known sound. There are some undeniable bangers, and while it doesn’t reinvent his style or take major risks, it still delivers exactly what ... read more

Often overshadowed by other masterpieces like Pet Sounds and Surf’s Up, The Beach Boys Today! honestly deserves way more recognition as one of their best albums. To me, this is the moment Brian really stepped up as a songwriter and producer, creating some of the most beautiful melodies of their entire career. Everything on here is just so underrated but so, so good. The songwriting is among their finest to date.

Tracks like Don’t Hurt My Little Sister, When I Grow Up (To Be A Man), ... read more

Vince Staples delivers yet another introspective and finely crafted album with Dark Times. Stripping things back even further, he trades in flashy production for a more subdued, melancholic atmosphere, allowing his sharp storytelling and dry wit to take center stage. The beats are moody, the lyrics personal, and Vince reflects on his past, fame, and struggles with the same calm, measured delivery that makes his music so compelling. While it’s not his most explosive project, Dark Times ... read more

After a 5 year wait, Kendrick once again proved why he’s in a league of his own. With Mr. Morale & The Big Steppers, Kendrick again tries something different, and delivers a deeply introspective, challenging, and masterfully created album that refuses to be easily categorised. Instead of aiming primarily for mainstream appeal, Kendrick delivers a raw, emotionally charged project that truly feels like a therapy session – both for himself and for you as listener.

From the moment ... read more

Atavista, the finished version of 3.15.20, actually turned out pretty good. With Atavista, Childish Gambino refined the raw songs from the original and turned them into a polished, cohesive album. The production is cleaner, the mixing is improved, the transitions are smoother, and overall, it just feels more complete.
There’s a great balance between the experimental, soulful, and funk-driven elements that make Gambino such a unique artist. The tracks now hit with full force, and the album ... read more

Timeless is exactly what you’d expect from KAYTRANADA—smooth, funky, and groovy. The production is clean and crips, the basslines are infectious, and every track has that signature laid-back vibe. It’s not necessarily groundbreaking or mind-blowing, but it doesn’t need to be. The album flows effortlessly, making for an easy and enjoyable listen from start to finish. Perfect for setting the mood, whether you’re relaxing or getting turned up. Another very solid ... read more

BRAT by Charli XCX is a fun and enjoyable album that showcases her ability to experiment and do things in a way she hadn’t done before. On BRAT, Charli delivers a lot tracks that are quite experimental while also being catchy and club-worthy. The production is fun, with plenty of energetic beats and an exciting mix of sounds that make it hard not to move along.

However, while it's definitely a solid project, I don’t quite understand the "perfect" ratings it’s ... read more

We Don’t Trust You is exactly what you’d expect from Future and Metro Boomin—and that’s a good thing. The beats hit hard, the energy is cold, and the whole project feels like one long, cinematic flex. Metro, as always, is locked in, crafting dark, deep, and immersive production that fits Future perfectly.

And Future is really in his bag on this one, continuing his stellar run. His delivery is sharp, his presence undeniable like no other, and he’s rapping with that ... read more

Just generationally bad music. How have most critics given this a positive review? Beyond surprised. The beats are lifeless, the flows are repetitive, and the lyrics feel like they were thrown together in five minutes. Ice Spice’s delivery feels completely flat here—there’s no energy, no variation, just the same monotonous cadence over and over. Even the features can’t save this project. This feels like a rushed collection of throwaways. No artist has the right to drop ... read more

Denzel Curry is again in his bag with King of the Mischievous South Vol. 2. This is raw, high-energy Southern rap at its finest—grimy beats, slick flows, and signature Denzel intensity. The project feels like a tribute to classic Dirty South sounds while still keeping it fresh and modern. The features bring the heat, the production slaps, and Denzel sounds completely in his element. Pure adrenaline from start to finish—this one’s a must-listen.

Magdalena Bay fucking did it again. With Imaginal Disk, they dropped a glitchy, dreamy, and weird masterpiece in every meaning of the word. They’ve somehow taken their already futuristic and unique sound and pushed it even further, experimenting with new textures and sounds to create something absolutely breathtaking yet again.

From the ethereal and comforting vocals to the rich and layered production, which is packed with crazy transitions and little sonic details that make you want to ... read more

And that’s another great Westside Gunn album—he simply doesn’t miss. The best curator in the game right now, hands down. His ear for beats is unmatched, and once again, the production is top-tier and WSG’s delivery is as sharp as we’re used from him.

The guest appearances elevate the album even further. Estee Nack, Stove God Cooks, and Brother Tom Sos all deliver standout performances, bringing their own styles while perfectly complementing WSG’s vision. ... read more