I remember being kind of excited going into F-1 Trillion, curious to see how Post Malone would handle a full dive into country. He’s always had the voice and style to pull it off, and honestly, he sounds great here—his vocals fit the sound naturally, and you can tell he’s having fun with it. The songs are enjoyable, easy listens, and there are moments where you can feel his connection to the genre.

But as a whole, the album feels pretty flat. It’s just Post Malone doing ... read more

Khalid’s Sincere marks a solid comeback for the artist, and as the title suggests, it truly feels like a genuine, heartfelt project. You can hear the emotion and vulnerability in his voice, which gives the album a sincere, almost intimate feel. There are definitely some standout tracks here that showcase his growth, evolving his signature sound with a bit more depth.

However, the album still leans heavily on his old sound, which, while comforting for fans, doesn’t always push him ... read more

Missionary is a solid album, especially considering the weight of expectation that comes with a Snoop Dogg and Dr. Dre reunion. The chemistry is still there, and you can tell they had fun making this, but at the same time, it doesn’t quite reach the highs you’d hope for.

While Snoop Dogg’s flow and delivery sounds good, and the production is clean, the album lacks that extra punch to make it truly memorable. There are a few standout moments, such as Hard Knocks & ... read more

Vultures 1 by Ye & Ty Dolla $ign is definitely getting more hate than it deserves. Sure, it’s nowhere near the level of all of Ye’s other projects, but it’s still a solid, enjoyable listen with plenty of good moments. The chemistry between Ye and Ty is smooth, and while the album doesn’t always hit the highest highs, it has a handful of tracks that really stick (Stars, Back To Me, Burn, Beg Forgiveness, Good).

It’s a project that doesn’t take itself too ... read more

PARTYNEXTDOOR 4 is an enjoyable listen, but it doesn’t really push any boundaries or bring anything fresh. PND sticks closely to his signature formula—deep and dark sounding production, moody melodies, and his laid-back delivery—which makes for a smooth, late-night vibe but also leaves the album feeling a bit too familiar.
After the mixed reception of PARTYMOBILE, it seems like PND decided to play it safe here. There aren’t any major risks or surprises, and while that ... read more

Bando Stone & The New World is a fascinating album—ambitious, strange, and at times, completely mesmerising. Donald Glover has never been one to follow expectations or guidelines, and this project is another example of him diving headfirst into something completely unique. Sonically, it’s all over the place, mixing elements of electronic, R&B, funk, and even some experimental sounds that feel like they’re from another dimension. When it works, it really works—but ... read more

Off the Wall is without any doubt one of the best albums of all time, and also one of my favourites of all time. This is Michael Jackson stepping into his own, breaking free, and just going all in on groove, energy, and pure feel-good music. The second Don’t Stop ’Til You Get Enough kicks in, it’s over—you’re locked in, no way out, and honestly, why would you even want to leave? The bassline, the strings, the way Michael rides the beat like it’s second ... read more

Isaac Hayes’ Hot Buttered Soul is just pure magic in album form. Man, it's just so incredibly smooth, makes you feel like hot butter. It’s the kind of album that washes over you, pulls you in, and refuses to let go. From the first notes of Walk On By, with its sweeping strings and hypnotic groove, you know this isn’t your typical soul record. Hayes took a simple song and stretched it into a sprawling, cinematic experience, layering his deep, commanding voice over some of ... read more

Sampha’s Lahai is an absolutely beautiful piece of art. Just like Process, it belongs in a museum. From start to finish, it’s a beautiful and emotionally rich album that highlights everything Sampha does best. His soothing voice, as always, is the heart of it all—soft yet powerful, full of emotion and vulnerability that instantly connects. The production is stunning, subtle yet layered, mixing together elements of soul, R&B, acoustic, and electronic music. Every track ... read more

Ask That God by Empire of the Sun had me excited going in, especially with those strong singles that really took me back to their earlier hits. The promise was there, but eventually, the album didn’t quite live up to that hype. While there are definitely several standout tracks—like Changes, Cherry Blossom, Music On The Radio, and Television—the album as a whole lacks a bit of consistency and freshness. Some of the songs are a bit more forgettable and old-formula-centric, ... read more

Summertime Butch by Benny the Butcher brings some solid moments but ultimately leaves you with mixed feelings. On one hand, his storytelling is pretty good again, with standout tracks like One Verse Butch, Kitchen Table and Higher, where his flow and delivery are on point.

However, the album starts to feel a bit predictable and lacks some of the freshness you'd hope for. Many of the themes and sounds are very familiar, and while Benny excels in this lane, it doesn’t feel like ... read more

Mike Dean delivers another solid project with 424, reinforcing his status as the undisputed synth god. While it isn't necessarily a step up from 4:23, it still provides you with his signature futuristic and ambient soundscapes. The rich synth layers and cinematic atmosphere makes it perfect for late-night zoning out. It might not reinvent the wheel, but Mike Dean's mastery of sound design keeps it undeniably engaging.

Halsey’s The Great Impersonator shines in its deeply personal and introspective moments, making it one of her most vulnerable projects yet. The concept is compelling and, when it works, it really works—there’s a raw honesty that pulls you in. However, the album struggles with consistency, sometimes feeling a bit scattered in execution and songwriting. Some tracks hit, while others don’t quite land as well. Still, even with its uneven moments, it’s an ambitious and ... read more

21 Savage delivers a solid effort with this album—there are definitely some dope tracks that hit hard, showing off his signature cold flow and delivery. When he's in his pocket, he’s as sharp as ever, and also even more introspective on some tracks. However, the project as a whole lacks a bit of consistency and freshness. Some tracks start blending together, and it doesn’t always feel like he’s pushing himself into new territory. Still, even if it’s not his ... read more

In Sexyy We Trust was easily one of the toughest listens of the past year for me. It’s painfully bad, and honestly, I can’t understand how anyone could seriously enjoy that voice alone—it’s grating. The album doesn’t deliver anything fresh or even engaging, falling flat in both production and lyrics. It’s forgettable at best, and at worst, just horrendous to get through. It’s an unfortunate miss all around, leaving me wishing it had offered more in ... read more

Radical Optimism is a solid album, but it didn’t fully go in the direction I expected based on the singles—especially Houdini. I initially thought it would lean much more into a psychedelic sound, but the final product turned out to be a more polished, radio-friendly version of that vision. Also, from the first singles, I expected a more reddish, psychedelic aesthetic, but it ended up with a more blueish, summer-vibe aesthetic instead. That said, the Tame Impala involvement is great ... read more

2093 is exactly what you’d hope for and expect from Yeat—futuristic, chaotic, and overloaded with sci-fi, cyborg-like atmospheres. It’s a fun listen, though definitely bloated; a small cut could’ve made it hit harder. Still, Yeat does his thing, and for the most part, it works out pretty well. For me, this is definitely his best album—more cohesive, more ambitious, and a clear step forward in artistic growth.

Eternal Sunshine is a very solid return for Ariana Grande, marking a step up from her previous, and a bit underwhelming, album Positions. The project feels more refined, with a more cohesive and mature sound that balances emotional depth and catchy pop appeal. Tracks like bye, supernatural, and we can't be friends stand out as instant highlights, showcasing her eye for infectious melodies and polished production. While she doesn’t really reinvent her style, it’s a well-crafted ... read more

Black Yacht Rock Vol. 1 was a surprise drop from Pharrell – one that many people still don’t know about since it’s not on streaming – but quite a pleasant one. The project delivers some fine, laid-back tracks with his signature smooth production and catchy melodies. While it’s not a major statement, it’s an enjoyable listen with a breezy, effortless charm. A solid little addition to his catalogue.

MIXTAPE PLUTO is exactly what you’d expect from Future on a mixtape—straightforward, punchy, playful, and full of classic Future energy. It’s a solid mixtape that brings back his signature mixtape vibe, with Future fully in his bag. While it might not break new ground or offer anything too crazy, it’s just fine. The production hits, and Future’s delivery is exactly what we’ve come to expect from him. It’s an enjoyable listen, perfect for OG Future fans. ... read more