The EP is way too dispersive but this track is a banger, probably the best track Kim Petras has ever made.
I don't know how to feel about this one, it feels extremely generic, corny and bloated with clichès but some songs are alright and I don't find it that obnoxious or boring as many said, it's harmless dance pop music, I wouldn't mind listening to it in the background while I do something or listening to it mindlessly, even though some tracks and ideas should have been executed better and the lyrics are utterly terrible on most of the tracks, I think it's fine, I like her singing and some ... read more
I don't see the appeal of this record, especially now, it aged like milk, maybe lyrically it's good but god, these instrumentals are terrible, dubstep + rap is a combo that should never return, the only good instrumentals are those produced by Shocca, the rest is either obnoxious or terrible, I just find this LP unlistenable, also, why is it so long?
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■ 𝗧𝗥𝗔𝗖𝗞 𝗥𝗔𝗧𝗜𝗡𝗚𝗦 ■
Borderline: 𝟰𝟬
Russell Crowe: 𝟰𝟳
Rob Zombie: 𝟲𝟴
Space Invaders: ... read more
The first album by bnkr44 isn't really an album but much more of a compilation of old Soundcloud songs in their respective remastered (or sometimes remade) versions which is basically why the record doesn't seem cohesive at all, however it isn't an issue, because it's a really strong collection of their old best material, the album alternates rap, trap, indie, pop, rock and synthpop sonorities, all genres that they blended or mastered later on with their new albums, except for the trap ... read more
Probably his worst record, some instrumentals are... interesting and I think that if given to someone else they would have been used much better but everything Fabri Fibra does in this record is completely awful, his rapping feels more stale than ever, he sounds goofy and corny in almost every track and lyrically it's dreadful, first of all, not considering the gimmicky tracks, the record is fullfilled with similes and not good similes but stuff like "It's useless like the penis ... read more
I'm definitely biased when it comes to this record, I have so many memories attached to it and it takes me back in 2017 everytime that I listen to it, I wouldn't say that it aged badly, in fact, I think that as of today it still sounds pretty decent, in this album there are some of the best songs Izi has ever made and generally speaking it's a really great upgrade from "Fenice" which was a huge disappointment as a debut album, on this LP Izi's anger, melancholy and hunger for success ... read more
This album... well, playlist actually, tries so hard to hit the charts by using famous old songs samples and interpolations and many popular artists featurings, this looks like an Italian DJ Khaled album, with the exception that those ugly instrumentals are produced by Drillionaire himself.
I could've ended my review with that sentence but I wanted to spend a couple more words for things I thought were genuinely disgusting, like the condolences for Berlusconi made by Guè, just remember ... read more
It isn't his best by any means but at least musically it's interesting, he tried to experiment a bit more with this LP, the results are mixed, some songs turned out to be really good others could've been polished much more and as always the best tracks are the R&B ones, Nayt is so good on those instrumentals and he proved it even in previous records with tracks like "Collane" which was definitely my favourite off of "DOOM", but overall in this album he sounds good in ... read more
It's funny you know, everytime I think every other song is a 100, I return to this masterpiece and realize that those other songs are not even remotely on the same level as this.
🏳️🌈 HAPPY PRIDE MONTH! (PT. II)
This album hits on a different level, it really helped me discovering and loving myself and gave me the courage to come out as gay two years ago, because this album is straightforward (ba dum tss) with everything, whether he's speaking about sexual topics or generally about feelings and emotions but nonetheless related to his sexuality ("SUN GOES DOWN" or "THATS WHAT I WANT" for example), it has a simple but effective lyricism ... read more
"Creatively bankrupt" is the only adjective that came up to my mind after listening to this, he copied every American rapper in almost everything, the last track "Champagne + Tiffany" is basically a Drake song, in "100 OPPS" he tries to copy Sheck Wes's flow in "Mo Bamba" and in "Elicotteri" he blatantly admits that he is Lil Durk whilst Geolier is Lil Baby but there are many more examples, he even recycled his old stuff, so many bars and flows ... read more
Not exactly what I expected by Venerus but it's a welcomed surprise nonetheless! I liked the fact that every track is connected with smooth little transitions that make the LP flow really good and the overall listening much lighter especially for the chill vibes that this record is aiming for, I would say that it doesn't sound like a studio album but much more like a one take live album like the ending on "Fantasia" suggest but aside from that, I liked pretty much every production on ... read more
A really cool single that I discovered thanks to the Apple Music shuffle, vibin'
how dare you make this so short??? what the fuck the productions are wonderful i could listen to a ton more tracks
║║ 𝘛𝘳𝘢𝘤𝘬 𝘙𝘢𝘵𝘪𝘯𝘨𝘴 ║║
Hanif Reads Toni: 𝗡/𝗔
Sun, I Rise: 𝟴𝟲
Mezzanine Tippin': 𝟳𝟱
Run, Run, Run: 𝟭𝟬𝟬 ----- [ FAV TRACK ]
Live! from the Kitchen Table: 𝟵𝟬
Tyler, Forever: 𝟵𝟭
Dedicated to Tar Feather: 𝟴𝟳
The Story so Far + (Interlude): 𝟴𝟬
Beloved! Paradise! Jazz!?: 𝟭𝟬𝟬 ----- [ FAV ... read more