couple of good tracks, but mostly forgettable and boring
it's a comedy album that'll give you a few laughs, but the songs are more like snippits or concepts that quickly transition into the next bit, sketch or snippit before overstaying its welcome. i'd recommend listening to it at least once because you'll get a kick out of it, but there is little to no replay value.
every time i turn around she's added another song to this thing (not that i'm complaining, you go girl)
i went into this without any real expectations and i was pleasantly surprised with what i heard. it's chaotic and raunchy with a lot of tongue in cheek and self aware humor. the production was the real highlight for me. these songs bang and sound like something you'd hear blasting from a car passing by in Cyberpunk 2077, and that's a compliment in the best way. this album is a blast and a lot of fun to listen to.
the first time i listened to this album, i didn't really care for it. however, something just kept pulling me back to this album until it got to the point where i had it on repeat daily. it feels a tad all over the place at times where you have these ethereal breaks that seem to meander along until the next song comes bursting into the room demanding your attention. it almost feels like you're fading in and out of a dream the way it tends to do this throughout the album.
lots of fun, catchy, and dance-able tracks. i really liked a lot of the production here from the more EDM leaning tracks like 'it boy' to the fun interpolations like 'check'. if i could nitpick a bit, i would say that the average track length being 2 minutes can be a blessing and a curse. the short run times keep things fresh not letting any one sound overstay its welcome as some of the tracks are admittedly a little gimmicky, however that does mean that some of the albums ... read more
following up short n' sweet, she should have called this long n' hard because of how much hornier this album is (please clap)
it has its moments. most of it is fine, but there's a few of stinkers here that really spoil the album.
the third album from JVB continues their streak of not missing. this time around feels like Joey Valence flexing his producer muscles because damn this is some of their best music instrumentally yet.
as someone who was blasting skrillex and quickscoping in the 2010's, this album was made for me. it rides a fine line between not taking itself too seriously with chronically online memes and references only to be followed up with life changing dialogue delivered by Lenval Brown. you'll be shaking ass and crying to this one
BMTH really just do whatever is on their mind sometimes. collaborating with a bunch of artists to make lofi-hiphop renditions of some of their biggest hits sounds silly on paper, but as a big fan of the band it works out better than expected.
with blush being more or less promoted as Brockhampton 2.0, i feel like the sound really picks back up where BH's sound was going after Roadrunner. it's a little bloated, but after one listen i really enjoyed what i heard.
listened to this once and it's frequently been on repeat since. it's loud, angry, and abrasive. that's all reflected in the lyrics too, it's almost cathartic to listen to this album that's just a huge middle finger to the current state of the world.
This was one of my favorite albums of last year, and the deluxe edition makes it even better. The bonus tracks are all welcome additions. Probably the biggest highlight here is the tremendous glow-up of "All Squeezed Out". This was the weakest track on the album and now it has been more fleshed out with Arrows In Action giving a guest verse and some absolutely heavenly saxophone from Saxl Rose.
loved this front to back. it's like listening to a live mix with the way that it flows seamlessly from track to track. it's banger after banger after banger. i do have one slight nitpick with a lot of these songs essentially being snippets and WIPs, but it works in the sense of this album essentially being one big long track. #FREESONNYMOORE