Dxmedatoo

At the core of complexity is always simplicity. That becomes most obvious when listening to albums like this. Nobody would argue that emotion cannot exist in complex music if they heard Cryogenic, or other tracks like it off this record. It's hard to ignore the importance of mixing as an artform when listening. And that post-recording editing is as important as the recording itself (The mechanic age?). These four revelations came months apart early on in my listening journey, and I ... read more

The more people listen to music, the more music gets awesome. Lua Trilogy is one of the most diverse and active listeners out there, having experienced so much of what beauty music has to offer. And it fully comes across in her music, pulsing with brightness and respect for the form and medium. As the years go by, more and more music (usually internet-music) experiments with the limits of the mix—just how much can you fit before it all falls apart. The answer is apparently much more than ... read more

Everyone I have ever loved in one grand bustling party, I look around, filled with joy at every face. It’s not just a looking for a special someone, because there are many special someone’s to me here. I just want to see them all, talk to them and have a time. Their faces glow firelight and I warm by the fireside, I warm and feel truly kind. What a life when lived so fruitfully, full of so many beautiful people. The sound of all their voices cascades like millions of sparks landing ... read more

Slowcore (more specifically chamber-slowcore) is a genre that thrives in subtlety and softness, its true depth of sorrow being pulled out of what little is shown in the composition through the lyrics. Through them, every note becomes infused with such melancholy, such tearful sorrow, that even bands I don't truly love make me emotional. What Sonora Pine does with II is something easily distinct from the others in its canon, (chamber-slowcore bands like carissa’s wierd). Subtlety at ... read more