erhoff

Not as good as it used to sound. It feels like it's trying a bit too hard to be mysterious and edgy. The use of other languages doesn't really enhance anything outside of adding to the already slightly excessive mystery. I like a lot of the instrumental work here, and Joe Hawley delivers consistently great vocals. However, I think a lot of the instrumentals could be enhanced by just choosing different sounds. I like the slight vagueness with the storytelling. I do not care for the ... read more

My second favorite album of all time. The lyricism and production on this album are so unique and fun; it's a very youthful album. There's not much to say about Vaudeville Villan that I haven't already said about his other albums, but that isn't a bad thing considering the quality of his work.

I love this album. Tracks like Fastlane are some of the most beautiful hip-hop songs I have ever heard. The production is some of DOOM's best, with creative samples and smooth beats. The features here are amazing, with the exception of Krazy World. (Why would you give that amazing beat to someone for a just okay verse?) The song Fazers may be the best album intro of all time, if not top three. All hail King Gheedorah!

One of my first albums I ever got into. MMMM isn't the greatest album of all time based on lyricism, storytelling, or production, but it's the greatest silly album of all time. However, among the silliness you occasionally get something extremely deep like Ruler of Everything that does fit into those categories. Amazing album, but it has its issues. For example, some of the lyrics feel a bit corny, even for an album as silly as this one. Thanks Tally Hall for making my first favorite ... read more